The date is significant in the Vile Calendar as it is the first anniversary of their debut album ‘The future through a lens’. For that reason, VILE ELECTRODES will be playing the entire album live for the first time at TEC003.
Having completed a tour of Germany supporting OMD in May 2013 after being spotted by Andy McCluskey while he was perusing The Electricity Club, VILE ELECTRODES gone on to win two prestigious Schallwalle Awards for Best International Act and Best International Album and been able to strike out three sections of their ex-KRAFTWERK member bingo card having met KARL BARTOS, WOLFGANG FLÜR and MICHAEL ROTHER!
With front woman Anais Neon’s striking effervescent presence, the other key to VILE ELECTRODES’ success and acclaim has been synth wizard Martin Swan. His first synths were the Casio PT20 and Roland SH101 while other items in his vast collection of electronic equipment now also include a Roland Juno 6 and a Korg MS20 among many. However, Swan does not wallow in vintage synth nostalgia so more recent additions to his armoury have included the Analogue Solutions Leipzig, a Dave Smith Evolver and an Anyware Tinysizer Mini Analog Modular System.
Amidst a busy schedule including an October return to the Electronic Circus Festival in Germany, VILE ELECTRODES will be making their first appearance as interview guests on Dave Charles’ HFM evening show this Sunday. In a break from rehearsals and arranging his synth collection in alphabetical order, Martin Swan kindly spoke to The Electricity Club about remixes and being present in some exalted company…
So much has happened since the tour of Germany and the release of ‘The future through a lens’. Has there been a particular highlight for you?
Of course, playing with JOHN FOXX straight after the OMD tour, and our returns to Germany, including playing with MICHAEL ROTHER have been pretty special, and obviously winning the Schallwelle Awards – we really didn’t expect to win anything at all and were just there to see friends and have a party so that was amazing.
Being asked to perform as part of the celebration of THE RADIOPHONIC WORKSHOP was also very exciting, and hearing your music played on national radio?
We just feel very privileged that there are some people who like our music, so every bit of merch we sell, or every gig goer who makes a nice comment is a highlight really.
If we can talk remixes for a moment. Is it more flattering to be asked to remix someone else’s track or to have someone remix a Vile song?
Well in a way, having someone ask you to remix their material is very flattering, as it makes me think that they value my musical and production skills. Of course it’s always nice to have people you respect and admire ask to do remixes, but I always have a pang of doubt that it’s because they think my production on the original isn’t that good! In reality, they wouldn’t ask if they didn’t love the song though, so I know that’s nonsense!
Some mixes are substantially different to the original. Are you influenced or inspired by certain artists that are known for their remixes?
When I listen to remixes, I really don’t want to hear the melody of the original laid over a dancey beat. I think that is one of the most pointless things in music really – it’s just lazy. I’m not saying there aren’t cracking dance remixes of great songs, but so few mixes like that actually add anything to the original.
The remixes I love usually take the song in a completely different direction, and often change its context. We like to approach the remixes we do as sort of conceptual works – we take an idea about what the song, or the band means to us and build something around that.
When OMD asked us to remix ‘Night Café’, we thought about the idea of it appearing as a ‘B-side’, and thought about all the amazing OMD B-sides that we love, sometimes more than the A-side! And we wanted to do something with the remix that suggested some of those songs – ‘Navigation’, ‘Annex’, ‘4-Neu’, ‘The Avenue’ etc. So the remix became a kind of homage to those tracks, whilst also acknowledging the darkness in the lyrics of the song – which lots of people seem to miss.
I couldn’t say there’s anyone who I particularly admire for their remixes. It’s more when a specific track captures my imagination. Jimmy Cauty’s reworking of PLACEBO’s ‘Every You Every Me’ – which is called the ‘Infected By The Scourge Of The Earth’ remix is a good example. It takes a great song, makes it sound totally insane, but still manages to keep the spirit of the original.
More ‘traditionally’, I’ve always liked FELIX DA HOUSECAT and DJ HELL for their dance remixes for some of the finest Electroclash bands – LADYTRON, FISCHERSPOONER etc and of course from back in the day, those great Stephen Hague and Arthur Baker 12 inch mixes of the PET SHOP BOYS and NEW ORDER.
Would it fair to ask if you have a favourite from all the remixes?
Of the remixes that other people have done of our tunes? That’s really difficult. There have been some really inspired reworkings, in some cases making the original sound boring! But I’m going to have to stop being diplomatic and say that the MOTEL HELL remixes have been my favourites 😉
Being a devotee of synths and a composer of electronic music, how important is it to hold workshops and for you get involved in projects such as those at The Science Museum?
Well it’s very flattering that people think I’ve got something valuable to contribute. I think it’s really more that I’m kind of interested in everything, so I like the cultural and social aspects of helping people to explore something I’m very passionate about, as much as the nerdy aspects of it. I’m certainly not an expert though, more just a highly opinionated enthusiast! I teach music production for a living, so I guess it’s an extension of that really.
Coming back to your debut album, ‘The future through a lens’ – have the interludes between tracks been developed further?
Maybe… 🙂 Two of the interludes were kind of unfinished songs, and two were excerpts of much longer, experimental pieces. All of them will probably see the light of day at some point…
Can we expect a follow up album sometime soon?
It’s a work in progress. We have about 60% of the music, and 40% of the lyrics worked out. We’ve just written a lovely new song called ‘Captive In Symmetry’, which we’re very pleased with, and which will get its live debut soon. That is definitely going to feature on the album. The new album has a kind of theme running through it, and we’ve got some very strong ideas for how it’s going to sound. It’s very filmic. I think it’s fair to say that we’ve developed quite a bit as a band and as individuals since we wrote some of the songs for the first album. The follow up will sound, if not very different, then certainly much fresher…
TEC003 featuring VILE ELECTRODES, SPEAK & SPELL and special guest DJ SARAH BLACKWOOD takes place on SATURDAY 13TH SEPTEMBER 2014 at Hertford Corn Exchange, 39 Fore Street, Hertford, Hertfordshire SG14 1AL
Interview by Karen Buxton
Text by Chi Ming Lai
Photos by Red Kite Photography
4th September 2014