It's been a while since Sarah Anna Psalti-Helbig worked in Greece on her project KEEP SHELLY IN ATHENS with RΠЯ. Seemingly, even the magnificent 'Oostende', taken from their debut 'At Home' couldn't keep Sarah in Athens, seeing the songstress relocating to Berlin for a much needed new challenge and the change of scenery.
SARAH P. has now unveiled her first proper long player 'Who Am I'. TEC is chatting to the lady herself, about the past, present and future for SARAH P. More Inside ›
Hailing from Stoke-on-Trent, WHITE DOOR formed from the ashes of prog rock combo GRACE and released one critically acclaimed album ‘Windows’ in 1983. Led by the sensitive vocal presence of Mac Austin, he was ably backed by the Davies brothers Harry and John on synths.
With renewed interest in WHITE DOOR, Mac Austin kindly chatted to The Electricity Club about the band’s brief flirtation with the pop charts and guesting recently with DAILY PLANET. More Inside ›
Artefaktor Radio is an internet radio station broadcasting from Mexico City 24 hours a day. Featuring a collection of music “Since the beginning until now” ranging from “Synth, electronica, electro, synthpop, techno”, the station is the brainchild of Renato Moyssén.
The Artefaktor brand also has branched into promotions and live events. Very much kindred spirits, The Electricity Club had a chat with Renato Moyssén about Artefaktor Radio’s ethos and development. More Inside ›
Jarmo Ollila and Johan Baeckström formed Swedish synthpop duo DAILY PLANET back in 1994. A period of eighteen years spanned between their well-received debut album ‘The Tide’ and the appropriately named follow-up ‘Two’ released in 2014 by Progress Productions, home of the highly acclaimed KITE.
With their excellent third album 'Play Rewind Repeat' just released, Jarmo Ollila and Johan Baeckström chatted to The Electricity Club. More Inside ›
Following the success of MARSHEAUX’s most recent long player ‘Ath.Lon’, Marianthi Melitsi and Sophie Sarigiannidou present a limited edition cassette EP comprising of seven rejected demos from those recording sessions.
Entitled ‘Ath.Lon - Rejected Demos’, the release is limited to 300 copies of the revived analogue format pioneered by Philips in 1962 which provided the provided hours of fun as the late 20th Century’s equivalent of illegal downloading.
“Home Taping Is Killing Music” bore the legend on the paper inner sleeves of LP releases when the UK record industry lobbied the government to impose a blank tape levy in 1982. But with ‘Ath.Lon - Rejected Demos’, MARSHEAUX readily show how the modern day version of home taping is skill in music. More Inside ›