Like THE SOFT MOON meeting THE CURE, Istanbul-based JAKUZI made an impression within the local underground art movement, addressing the sort of personal psychological and mental health issues not known for public discussion in Turkish society.
Crossing haunting synth sounds with guitars for some moody electronically assisted gothic rock, their recently released second album entitled 'Hata Payı' is a concept record of sorts dealing with the acceptance of community and oneself. Continue Reading ›
Alison Goldfrapp and Tara Busch need to watch out, there’s a new synth girl in town, she’s got a Moog Sub Phatty and she’s going to use it…
Leeds based singer / songwriter IMI is gifted with a most glorious soprano but not only that, she applies that and her love of analogue synths to an intelligent avant pop aesthetic. IMI’s recently released EP 'Lines' contains three dramatically layered electronic mood pieces that encapsulate the early cinematic ambition of GOLDFRAPP. Continue Reading ›
American born RIDER describes herself as “alternative pop”, exploring a variety of styles while ensuring larger than life melodies are at the core of her work. Originally from Pennsylvania, RIDER emigrated to the UK and studied at LIPA.
Looking like Lana Del Rey gone synthwave, the London based singer and multi-instrumentalist’s most recent single ‘Tell Nobody’ is an energetic neon lit stomper that wouldn’t have sounded out of place in a John Hughes teen movie. Continue Reading ›
Inspired by Jean Paul Sartre and expressing the need to be isolated, moving away from other people because they are the cause of mental and emotional pain, FRAGILE SELF are a minimal electronic duo aiming to create dark pop music to communicate the detachment often felt within the human condition.
Comprising of Anil Aykan and Jonathan Barnbrook who each have graphic design backgrounds, their ethos sees the music and visuals work in tandem. Continue Reading ›
The Electricity Club first spotted Swedish songstress Karin My singing with veteran combo TWICE A MAN on their 2015 poignant environmental catastrophe warning ‘High In The Clouds’.
Meanwhile she also contributed to two covers ‘The Man in Grey’ and ‘Just A Sound In The Night’ on Cold War Night Life’s ‘Heresy: A Tribute To RATIONAL YOUTH’ compendium in 2016. But with ‘The Silence’, she releases the first truly great song of 2019.
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