Independent Irish electronic artist Margaret O' Sullivan is the lady behind FEMMEPOP.
Dublin is brimming with synth acts now like TINY MAGNETIC PETS, CIRCUIT3, EMBRACE THE CRISIS and iEUROPEAN, so it’s only natural that further south, the city of Cork should want to join in the fun as well. FEMMEPOP’s most recent release was the ‘CYM’ EP. In 2018, FEMMEPOP collaborated with MECHA MAIKO on ‘Tomodachi’ as well as working with ROBERT PARKER on ‘Demise’. Continue Reading ›
From Wall Of Sound Records, the stable that brought the world the stable that brought the world RÖYKSOPP, LES RHYTHMES DIGITALES and PROPELLERHEADS, comes Italian singer, songwriter, arranger, producer and remixer EUGENE.
Although his first single ‘Dior DNA’ was released in 2006 by UdU Records and the Casio-laced ‘Promenade’ came out in 2014, EUGENE has been making synthwaves in the past 12 months, particularly with the dreamy ‘Waiting for You’. Continue Reading ›
With Re-TROS opening for DEPECHE MODE on their 2017 UK Arena tour and FIFI RONG collaborating with YELLO, China is becoming a hub of new music talent which potentially can appeal to the rest of the world.
The next act likely to breakthrough are STOLEN from Chengdu in Szechuan province which serves the hottest food in China thanks to their locally grown peppercorns. Continue Reading ›
In a period of some competent if quite average releases from independent British electronic acts, one pleasant surprise has been the debut single from AFTERDARK.
The project of Kent-based vocalist and songwriter Marie Williamson, ‘Gravity’ was written after she attended An Evening with Rusty Egan at Pizza Express Maidstone, having been inspired by The Blitz Club’s DJ’s many enlightening anecdotes and his 'Welcome To The Dancefloor' album. Continue Reading ›
Hailing from Seattle, STATIC SHORE first showcased their brand of tranquil electronic pop in 2016. Comprising of Eric Smith and Shannon Alexander, their airy sound has become popular with various discerning music purveyors.
While 2017's nautical adventure ‘Tides’ indicated further development with tracks like the comparatively uptempo ‘Money & Time’, it has been the glistening dreamy overtures of ‘Sun In My Wake’ that have gained the duo wider attention in 2018. Continue Reading ›