Europe is the spiritual home of electronic music, inspiring it not just artistically but forming an important bond with the continent’s classical tradition through the romance of its historical imagery.
From Paris to Vienna back to Düsseldorf City, With a restriction of one track per artist moniker, here are The Electricity Club’s favourite twenty electronic tunes that were inspired, either directly or obliquely, by the legacy of Europe… Continue Reading ›
When HOWARD JONES’ debut Colin Thurston-produced single ‘New Song’ emerged in September 1983 it would have been very easy to dismiss him as yet another fluffy synthpop act; the single combined an early DEPECHE MODE style lead synth riff, organ chords and lyrics chock-full of optimism and positivity.
Jones’ background at the Royal Northern College of Music in Manchester meant that he melded a more traditional songwriter-driven approach to his prominent electronic productions. Continue Reading ›
YELLOW MAGIC ORCHESTRA formed in 1978 as an intended one-off project for producer and bass player Haruomi Hosono.
After Hosono hired two session musicians drummer Yukihiro Takahashi and keyboardist Ryuichi Sakamoto to record that debut self-titled album, the rest was history... ten bodies of work originally released by Alfa Records between 1978-1983 are being reissued as part of #YMO40. Continue Reading ›
This November sees the release of a box set of ‘Upstairs at Eric’s’, ‘You & Me Both’, an 8 song remix set and some previously unreleased John Peel / David Jensen BBC session tracks.
YAZOO were a candle that burned stunningly bright, only creating two albums (excepting live and compilation works) before Vince Clarke and Alison Moyet split and went their separate ways. YAZOO’s gestation started whilst Clarke was still in DEPECHE MODE. Continue Reading ›
In an accolade already accorded to ENO, JAPAN, SIMPLE MINDS, ABBA and THE POLICE, OMD’s first four landmark long players ‘Orchestral Manoeuvres In The Dark’, ‘Organisation’, ‘Architecture & Morality’ and ‘Dazzle Ships’ are being reissued as Half Speed Abbey Road vinyl remasters.
Packaged in reproductions of their original Peter Saville designed sleeves, these releases from Universal Music reaffirm OMD’s often forgotten role as premier electronic pop pioneers. Continue Reading ›