Category: Legacy (page 2 of 4)
In an accolade already accorded to ENO, JAPAN, SIMPLE MINDS, ABBA and THE POLICE, OMD’s first four landmark long players ‘Orchestral Manoeuvres In The Dark’, ‘Organisation’, ‘Architecture & Morality’ and ‘Dazzle Ships’ are being reissued as Half Speed Abbey Road vinyl remasters.
Packaged in reproductions of their original Peter Saville designed sleeves, these releases from Universal Music reaffirm OMD’s often forgotten role as premier electronic pop pioneers. Continue Reading ›
Ambient electronic music is a much misunderstood genre. Modern ambient probably came to prominence with BRIAN ENO.
Restricted to one album per moniker or collaborative partnership, here are the twenty long players which form The Electricity Club’s Electronic Legacy of Ambient. Acting as a straightforward introduction to the genre, it refers to many artists whose comparatively mainstream works may already be familiar. Continue Reading ›
Although their recorded output covered just five albums over a four year period, JAPAN are one of the most acclaimed bands from the era which many came to know as New Romantic.
JAPAN’s final two studio albums ‘Gentlemen Take Polaroids’ and ‘Tin Drum’ are being reissued as Abbey Road Half-Speed mastered 2LP gatefold vinyl editions with two tracks per side. Along with the pair’s predecessor 'Quiet Life', they formed the Holy Trinity of JAPAN records. Continue Reading ›
Between April and October this year, sees the vinyl reissues of eight EURYTHMICS albums ‘In The Garden’, ‘Sweet Dreams (Are Made of This)’, ‘Touch’, ‘Be Yourself Tonight’, ‘Revenge’, ‘We Too Are One’, ‘Savage’ and ‘Peace’ and gives The Electricity Club a welcome chance to look back retrospectively over the duo’s musical output.
'In The Garden' provided a necessary bridging point between Annie Lennox and David A Stewart’s output as New Wave act THE TOURISTS... Continue Reading ›
When Roland Orzabal and Curt Smith went to record 'Suffer The Children' as their debut single as TEARS FOR FEARS, it was producer David Lord who introduced them to synthesizers plus crucially, keyboard player Ian Stanley.
Orzabal and Smith had become fascinated by Arthur Janov's Primal Therapy and had named themselves after his theories which resolved to overcome childhood traumas through re-experiencing specific incidents and fully expressing the resulting pain during therapy. Continue Reading ›