Released on the short-lived Homewood Records in 1976, ‘Mother Earth's Plantasia’ by Mort Garson became one of those rare sought after albums, thanks to the fact that most of the copies pressed had actually been given away for free by its esteemed creator.
With its inventive use of the Moog IIIC modular synthesizer with a plethora of cosmic textures, it possessed a transcendental quality that was the antithesis of the FM rock that was dominating the American airwaves at the time. Continue Reading ›
FIAT LUX only officially released thirteen songs in their original recorded career and none were ever released in CD format, save two of their early tracks.
But after many years, that has now been put to rights with the Cherry Red collection ‘Hired History Plus’ which brings together the criminally underrated trio’s entire recorded output for Polydor Records and their unreleased debut album ‘Ark Of Embers’ which had been slated for public consumption in 1985. Continue Reading ›
As the first long playing release on Happy Robots Records, from its SECTION 25 inspired artwork inwards, ARTHUR & MARTHA’s only album to date was always going to be a bit out of step.
2009 was the year of LA ROUX, LITTLE BOOTS and LADY GAGA, where electronic music returned to the mainstream and went superpop! ‘Navigation’ was the work of Alice Hubley and Adam Cresswell, an unusual looking couple described as “Gilbert & George, disguised as The Carpenters…” Continue Reading ›
BERLIN BLONDES were a post-punk band who formed in Glasgow during 1979.BERLIN BLONDES only ever made one self-titled album, recorded at GARY NUMAN’s Rock City Studios in Shepperton and produced by Mike Thorne.
As with many acts of the more artistically inclined post-punk period, ROXY MUSIC and Berlin-era DAVID BOWIE were both key influences on BERLIN BLONDES. Continue Reading ›
DEUTSCH AMERIKANISCHE FREUNDSCHAFT, also more commonly referred to as DAF, undoubtedly all but invented electronic body music.
Featuring the nucleus of Gabi Delgado-Lopez on vocals and Robert Görl on drums and electronics, 1982’s ‘Für Immer’ with its best known song ‘Kebabträume’ had already seen DAF veer towards synthpop territory, but it was still something of a surprise when the DAF drummer appeared in 1984 with an album in that vein, released on Mute Records. Continue Reading ›