Denmark’s SPLEEN UNITED somehow never quite managed to break through the glass ceiling of widespread electronic music popularity - being blessed with the kind of misrepresentative band name which conjured images of a third division UK punk band arguably didn’t help their cause either.
‘School of Euphoria’ was the follow up to 2011’s ‘Neanderthal’, a somewhat muted sequel to the sparkling electro-pop debut of ‘Godspeed Into The Mainstream’. Continue Reading ›
It seems strange now, but when ‘Communication’ was released in 2003, it was KARL BARTOS’ return to electronica, following the ill-fated guitar driven excursion ‘Electric Music’ of 1998.
But just as ‘Communication’ hit the shelves, an elephant entered the room in the shape of his former band KRAFTWERK; they released their first album of new material since 1986 in the shape of ‘Tour De France Soundtracks’. Continue Reading ›
As far as Germany's leading electropop bands go, MINERVE had implanted themselves quite quickly into the scene, after forming in 2002. Compromised of Mathias Thürk and Daniel Wollatz, demanding studio sessions gave birth to their first long player entitled 'Breathing Avenue'.
'Please', which was released in 2010, remains the group's most acknowledged album. It was produced by a widely recognised name in the electronic circles of Germany. Continue Reading ›
The million dollar question is: whose female vocal was featured on a single, which topped the UK charts in 1991? Meet SANDRA, one of the voices of ENIGMA. She started off as the voice of female disco trio ARABESQUE.
Her solo career started taking shape with the massive Euro hit single ‘(I'll Never Be) Maria Magdalena’. As her popularity grew, she relocated to Ibiza, where she concentrated on her third release, 'Into A Secret Land'. Continue Reading ›
Issued in late 2012, ‘Dark Light’ was the eighth studio album by the cult independent combo SECTION 25. Using a title given to them by Factory graphic designer Peter Saville, the band had always intended to have the word ‘Light’ in the title to reflect the poppy nature of the record.
‘Dark Light’ was a ten track set that signalled a spiritual return to the technopop flavours and pastoral textures of 1984's Bernard Sumner steered ‘From The Hip’. Continue Reading ›