Hailing from Stoke-on-Trent, WHITE DOOR formed from the ashes of prog rock combo GRACE and released one critically acclaimed album ‘Windows’ in 1983. Led by the sensitive vocal presence of Mac Austin, he was ably backed by the Davies brothers Harry and John on synths.
With renewed interest in WHITE DOOR, Mac Austin kindly chatted to The Electricity Club about the band’s brief flirtation with the pop charts and guesting recently with DAILY PLANET. More Inside ›
Combining musical template of THE HUMAN LEAGUE with lyrical wit of PULP, YOUNGER YOUNGER 28s were the shining light in synthpop during an era full of dour landfill indie like TRAVIS following the fallout from Britpop.
17 years on, The Electricity Club managed to trace Ashley Reaks somewhere in the city of London; he kindly chatted about the period when he “was nearly a crap pop star...” More Inside ›
Over the last six years, The Electricity Club has written a large number of features that fall outside of the standard interview or review format.
Articles have included new artist introductions, lost albums, song listings based around a variety of topics, beginner’s guides on highly regarded personalities and TEC’s tongue-in-cheek Carry On Synthpop series. These Transmissions have been archived on a page in reverse chronological order. More inside ›
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New York-based OUR DAUGHTER’S WEDDING, who were named after a card divider in a gift shop, were arguably the most high-profile commercial US synth band to make any sort of impact in the UK. Early single ‘Lawnchairs’ charted at No49 and has been a regular fixture in many electronic music single compilations ever since. TEC spoke […] More Inside ›
The period between 1979-1983 was one of the most glorious and productive periods in British music. One of those vying for a slice of the action were THE MOOD, comprising of John Moore (vocals and guitar), Mark James Fordyce (drums, electronic percussion and synthesizers) and Eric James Logan (synthesizers and piano). Mark James Fordyce kindly […] More Inside ›