After first breaking cover in 2013, Shanghai synthpop trio QUIETER THAN SPIDERS mysteriously disappeared despite having previewed numerous tracks on YouTube and Soundcloud.
But in 2018 there were ‘Signs Of Life’ as QUIETER THAN SPIDERS officially released their first track ‘Shanghai Metro’ on ‘The Electricity Club’ compilation via Amour Records. And now, the anonymous family group of Leon, Yi Fan and Yao finally release their long awaited debut album on Anna Logue Records. Continue Reading ›
With diverse influences such as Krautrock, Afrobeat, funk, rock and electronica, FAKE TEAK released their self-titled debut album in 2018 with the quirky HOT CHIP influenced danecefloor friendly ‘No Shame’ being one of its highlights.
But for their latest release, the London-based quartet have taken a back-to-basics approach, journeying to a remote corner of the Scottish Highlands for inspiration in a road trip up past Inverness and north-west to a small settlement called Achmelvich. Continue Reading ›
In INTERNATIONAL TEACHERS OF POP’s world of academia, eccentric Northern electronic pop would be compulsory on the curriculum.
The intelligent musical escapism of INTERNATIONAL TEACHERS OF POP has struck a chord with audiences. The latest single released from the album is the bubbly ‘Love Girl’, a luscious cross between DUBSTAR and THE HUMAN LEAGUE. Continue Reading ›
With fresh blood and new tears, the mysterious HEAVEN first came to wider attention with the ‘Lonesome Town’ EP featuring the hauntingly breathy ‘It’s Not Enough’ as its lead track. Issued by Italians Do It Better, home of CHROMATICS, closer scrutiny revealed that HEAVEN was another project helmed by the ubiquitous Johnny Jewel.
Fronted by the enigmatic allure of singer and keyboardist Aja, the brilliant new single 'Truth Or Dare' perhaps unsurprisingly sounds like CHROMATICS. Continue Reading ›
Although originally released 18 years ago on CD, this compilation of Frank Tovey’s singles-based material as FAD GADGET is now debuting on vinyl for the first time with an identical track listing spread over four sides.
Looking back retrospectively, one can see how Tovey’s incarnation as FAD GADGET provided a perfect middle ground between DEPECHE MODE’s early synthpop and the darker Industrial experimentation of acts such as THROBBING GRISTLE. Continue Reading ›