BOY HARSHER formed through an urgent need to produce and consume, so by the winter of 2014, Jae Matthews and Augustus Muller started to experiment with sound, video and text.
With just a few synths, a drum machine and a laptop, their second full length album 'Careful' was conceived in Massachusetts, with the duo utilising their minimal electronics and intense demeanour to create a compelling narrative of a deteriorating family and a need to escape from it. Continue Reading ›
An interim collection of tracks before TINY MAGNETIC PETS’ third album 'The Point Of Collapse' is released, ‘The Politburo Disco’ EP follows on on the Dublin trio's previous Cold War themed offerings ‘The NATO Alphabet’ and ‘Stalingrad’ released in 2016 and 2014 respectively.
A wealth of quality material emerged from those standalone statements of interregnum. Following on as part of a trilogy, ‘The Politburo Disco’ EP is no different. Continue Reading ›
‘The Potential Of Noise’ is a touching insight into the late Conny Plank, undoubtedly one of the most innovative and important studio exponents in popular music.
Directed by his son Stephan with Reto Caduff, the film sees him embarking on a journey to rediscover his father’s impact and his importance in music history. As the studio in the converted farmhouse in Wolperath was also the family home, Stephan grew up around the artists who his father worked with. Continue Reading ›
'Third Noise Principle' is the latest instalment of the ‘Close To The Noise Floor’ compilations and follows the two previous Cherry Red releases, which rather wonderfully rounded up collections of rare, formative and experimental electronic music from both the UK and Europe.
Helpfully described as "Part primitive rave, part synthesiser porn, part history lesson", this time round sees the location moving across the Atlantic to explore the North American and Canadian electronic music scene. Continue Reading ›
It may be perhaps surprising to learn that one-time JAPAN sound designer and synth technician Richard Barbieri has only released three solo albums.
But since JAPAN disbanded in 1982, he has composed and recorded a large amount of material that until recently has remained unreleased. So the five volume ‘Variants’ series has gathered together new compositions, improvisations, live performances and re-workings of older material. Continue Reading ›