It’s interesting to think that when Bernard Sumner and Stephen Morris were in their 20s, NEW ORDER gigs would be around three quarters of an hour but with both now in their 60s, the band are onstage for close to 2 hours and 20 minutes!
The pair with younger founder member Gillian Gilbert and new recruits Phil Cunningham and Tom Chapman played their only UK gig of 2018 at London’s Alexandra Palace and delivered a superb show that acknowledged their history. Continue Reading ›
Mister Webb, there is no way out… GARY NUMAN has had a rather busy few years, what with the successful releases of the highly personal 'Splinter (Songs From A Broken Mind)', as well as it’s not so identical twin 'Savage (Songs from A Broken World)', becoming his twentieth opus
Having portrayed the terrifying dystopian future on ‘Savage’, the world’s first synth pop star, is carrying on the forward momentum into 2018 with this Autumn seeing in the fresh EP entitled 'The Fallen'. Continue Reading ›
From Wall Of Sound Records, the stable that brought the world the stable that brought the world RÖYKSOPP, LES RHYTHMES DIGITALES and PROPELLERHEADS, comes Italian singer, songwriter, arranger, producer and remixer EUGENE.
Although his first single ‘Dior DNA’ was released in 2006 by UdU Records and the Casio-laced ‘Promenade’ came out in 2014, EUGENE has been making synthwaves in the past 12 months, particularly with the dreamy ‘Waiting for You’. Continue Reading ›
While their first album was released in 2010, it’s only been in the last three years that TINY MAGNETIC PETS have truly picked up audience momentum.
Undertaking their first headlining ‘Here Comes The Noise’ tour, also on board was Happy Robots label mate RODNEY CROMWELL and especially for the London date at Water Rats in Kings Cross, post-punk balladeers CULT WITH NO NAME. Continue Reading ›
FAKE TEAK were actually first name checked on The Electricity Club by VILE ELECTRODES back in 2011. With diverse influences such as Krautrock, Afrobeat, funk, rock and electronica, the band has since evolved and it would be fair to say they have a unusual hybrid sound that falls neither into exclusively synth or alternative music circles.
After a long gestation period, the London-based quartet finally get to release their self-titled debut long player. Continue Reading ›