Swedish synth trio DAYBEHAVIOR finally follow-up their previous single ‘Change’ with the airy moods of ‘There’s Nothing Else’.
From Carl Hammar, Tommy Arell and Paulinda Crescentini’s long awaited fourth album ‘Based on a true story’, the Nordic melancholy of ‘There’s Nothing Else’ at times, ventures into A-HA territory. However, this is offset by Crescentini’s coolly alluring Nouvelle Vague vocals. Continue Reading ›
Ever bought an album on the strength of a single, only to find that “this is not the single I am looking for”?? As long as there has been a music business, artists and producers have been forever tinkering with their work.
Restricted to one single per artist and presented in chronological and then alphabetical order, here are The Electricity Club’s 25 Single Versions That Are Better Than The Album Versions… Continue Reading ›
As the old adage goes, “misery loves company…” and it cannot be denied that some huge selling albums have been written following dark times in an artist’s life.
So what happens when things start to become a bit peachy? The royalties come rolling in, your singer starts dating a celebrity boy/girlfriend and you pay off your mortgage? Do you still continue to write about the dark feelings and circumstances that initially gave you fame and fortune? Continue Reading ›
First published in 2011, ‘Is That The 12” Mix?’ was author and music aficionado ROB GRILLO’s personal but well-informed history of the 12” single.
In keeping with its story tracing the emergence of the extended remix as an artform in its own right, Grillo has now remade and remodelled his book in a new 2016 version.
Retitled ‘Is That The 12” Remix?’, the new edition features contributions from the likes of Neil Tennant and Rusty Egan as well as more photos and an extra 20,000 words. ROB GRILLO chatted to TEC about why more can mean more; "Since the first edition came out, I’ve build up many more contacts and relationships in the music industry" said Grillo... Continue Reading ›
A-HA’s collective strength over the years has been to produce great melancholic pop in that classic Nordic tradition, but also add a contrasting glorious optimism for that vital all-embracing lift.
Although often tagged as a teenybopper band in the UK, A-HA always had a darker edge compared with DURAN DURAN and even their only British No1 ‘The Sun Always Shines On TV’ was shaded in gloom. This demeanour was reflected in the opening numbers at the O2 Arena, ‘I’ve Been Losing You’ and ‘Cry Wolf’. Continue Reading ›