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Tag: Aesthetic Perfection (page 1 of 3)

The Electricity Club’s 30 SONGS OF 2018

2018 was a year of good songs rather than good albums, with many of long players not as consistent or as of high a standard as the bumper crop from the Class of ’17. Interestingly, three graduates from the 'Some Bizarre Album' made it into the final list, thus highlighting the longevity of that particular vinyl showcase some 37 years on! So with a restriction of one song per artist moniker, here are The Electricity Club’s 30 SONGS OF 2018 presented in alphabetical order… Continue Reading ›

A Short Conversation with NYXX

Seductive alternative songstress NYXX has been making a good impression of late, thanks to her new creative partnership with Daniel Graves; the AESTHETIC PERFECTION main man has also lent his Industrial Pop touch to her tunes 'Diabolical' and the new single 'Voodoo'. With a debut EP 'Nightmare' already under her belt, NYXX kindly chatted to The Electricity Club about how her music has flourished over the last 24 months. Continue Reading ›

DANIEL GRAVES Interview

One of The Electricity Club’s Songs Of 2017 was the ‘Electro Version’ of AESTHETIC PERFECTION’s ‘Rhythm + Control’. Continuing his industrial pop philosophy, the new AESTHETIC PERFECTION single ‘Ebb & Flow’ touches on the highs and lows of the heart. Preparing for an upcoming tour of Germany and Russia, Daniel Graves kindly took time out to chat with The Electricity Club about how his singles only is progressing and working with other artists from its resultant artistic freedom… Continue Reading ›

NYXX Featuring AESTHETIC PERFECTION Voodoo

If Britney Spears and Justin Timberlake had not been part of The Disney Club but actually raised by The Addams Family, would they have ended up making a record like this? NYXX begins her year with some ‘Voodoo’. Laced in lusty gothic tension with robotic voices and an almost evangelical middle eight from Daniel Graves, ‘Voodoo’ is like its predecessor ‘Diabolical’, co-written by the AESTHETIC PERFECTION main man. Continue Reading ›

TEC’s 2017 End Of Year Review

The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists. Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs. Continue Reading ›

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