Essex duo ULTRAMARINE are probably best known for their 1991 album ‘Every Man & Woman is a Star’. Arguably Paul Hammond and Ian Cooper pioneered the Folktronica genre.
After a fourteen year hiatus, the duo returned with a pair of singles in 2011 and this has led to ULTRAMARINE’s ‘Signals into Space’, their first full length album since 2013’s ‘This Time Last Year’. This time around there are collaborations with vocalist Anna Domino who contributes to four tracks. Continue Reading ›
SHOOK is Jasper Wijnands, a composer, producer and musician based in The Netherlands. His life took a turn when he was diagnosed with Pancreatitis in 2016, but during his illness, he remained determined to continue making music.
Wijnands has musically documented his journey to recovery on ‘Bicycle Ride’. Influenced by jazz and anime soundtracks, the music of SHOOK captures a moody virtuoso ambience, recalling AIR and RYUICHI SAKAMOTO. Continue Reading ›
“Background noise, breakquest, reverb, spending time, large hadron collider, warp drive, the empire”… that’s how New York based shinnichi Danz Johnson aka COMPUTER MAGIC describes her interests.
Her first album proper ‘Davos’ emerged in 2015. There have been EPs and singles as well, with enjoyably escapist ‘Obscure But Visible’ EP possibly her best body of work yet. But now at last comes another COMPUTER MAGIC simply titled 'Danz'.
Continue Reading ›
SHOOK is a composer, producer and musician based in The Netherlands. Real name Jasper Wijnands, vintage keyboards within his studio set-up include a Polymoog, Siel Orchestra, Yamaha DX7 and Roland Juno 60.
A key track from the ‘Continuum’ album, ‘Tidal’ has been accorded its own visual presentation directed by Anise Mariko of mikineko productions, who was responsible for the ‘Been Waiting’ video for COMPUTER MAGIC. Continue Reading ›
From Happy Robots Records, the stable that brought the world ARTHUR & MARTHA, RODNEY CROMWELL and HOLOGRAM TEEN, comes PATTERN LANGUAGE.
The debut mini-album ‘Total Squaresville’ offers an optimistic melodic take on the synth instrumental without going into full symphonic JEAN-MICHEL JARRE territory, while also avoiding some of the electronic dirges that often pass for avant-garde experiments in sound. Continue Reading ›