From Cherry Red Records, the makers of the ‘Close To The Noise Floor’ trilogy showcasing formative and experimental electronic music from the UK, Europe and North America, comes their most accessible electronic collection yet.
Subtitled ‘Independent British Synth Pop 78-84’, ‘Electrical Language’ is a boxed set covering the post-punk period when all that synthesizer experimentation and noise terrorism morphed into pop.
This was pop in a very loose manner with melodies, riffs and danceable rhythms. Largely eschewing the guitar and the drum kit, this was a fresh movement which sprung from a generation haunted by the spectre of the Cold War, Mutually Assured Destruction and the Winter of Discontent. Continue Reading ›
Little is known about the mysterious combo QUIETER THAN SPIDERS who have caught the ears of The Electricity Club, other than they are to have their debut album released by Anna Logue Records.
Piloting a brand of “Shanghai Synthpop… using home-made electronic sounds played by hand”, the first track unveiled back in summer of Summer 2013 was ‘Shanghai Metro’. Continue Reading ›
Following the outstanding debut single ‘When We Were Young’ b/w ‘Kleiner Satellit’ in 2008, TWINS NATALIA have finally released their first album ‘The Destiny Room’.
Touchingly melancholic with classic Weimar Cabaret melodies and vibrant Kling Klang interplay, the soundtrack conjures memories of holiday romances with pretty German Frauleins and flirty French mademoiselles. Continue Reading ›