Following the success of her highly acclaimed ‘Unflesh’ album, Elizabeth Bernholz made her conceptual art as GAZELLE TWIN complete. And her latest long player ‘Pastoral’ says it all, from the striking Deutsche Grammophon referencing artwork co-conceived with Jonathan Barnbrook and beyond.
Elizabeth Bernholz chatted to The Electricity Club about her “deranged, absurd reflection of deranged and absurd times” in deepest Old England. Continue Reading ›
As innocent and idyllic as the new album title from GAZELLE TWIN sounds, those who are well familiar with Elizabeth Bernholz’s previous output, won’t be fooled. The queen of all things weird and wonderful is back after the highly acclaimed ‘Unflesh’.
‘Pastoral’ should be glorifying her new found life in the depths of Old England, a move amidst other life changing events; instead, it “exhumes England’s rotten past, and shines a torch over its ever-darkening present”. Continue Reading ›
Neil Arthur and Jez Bernholz are NEAR FUTURE, a project featuring the BLANCMANGE front man and the Brighton based artist who also co-founded the Anti Ghost Moon Ray art collective that spawned GAZELLE TWIN.
Their debut album 'Ideal Home' has been several years in the making, constructed through the modern medium of remote collaboration, although the pair have shared a stage on numerous occasions, notably on BLANCMANGE’s Semi Detached’ tour. Continue Reading ›
Swelling in sonic density, NEAR FUTURE’s ten-track debut album ‘Ideal Home’ is an enjoyable experimental collection of songs and soundscapes that showcases the music combination of Neil Arthur and Jez Bernholz.
NEAR FUTURE kindly took time out to chat about their first full length fruit of labour and described how their partnership has allowed each of them to think outside of their regular artistic boxes to produce a quite unusual but accessible body of work. Continue Reading ›
Keeping her privacy well under wraps always seemed rather important for Elizabeth Bernholz aka GAZELLE TWIN. The concept of portraying herself via her music, instead of physical looks surely speaks for itself.
Based on the eponymous book by JG Ballard, the father of dystopian modernism, who in music has influenced everyone from GARY NUMAN to MADONNA, ‘Kingdom Come’ is a thoughtful representation of how the corporate greed and misplaced alliances alienate the individualism. Continue Reading ›