Every now and then, the world needs a lively unpretentious synth instrumental album to provide a temporary route of escapism; OBLONG’s ‘The Sea At Night’ is that record.
OBLONG formed out of a friendship between Benge, Dave Nice and Sid Stronarch which eventually resulted in an album ‘Indicator’ in 2006. And now with their second album ‘The Sea At Night’, the trio deliver a rustic electro-acoustic record of organically farmed electronica! Continue Reading ›
2018 was a year of good songs rather than good albums, with many of long players not as consistent or as of high a standard as the bumper crop from the Class of ’17.
Interestingly, three graduates from the 'Some Bizarre Album' made it into the final list, thus highlighting the longevity of that particular vinyl showcase some 37 years on! So with a restriction of one song per artist moniker, here are The Electricity Club’s 30 SONGS OF 2018 presented in alphabetical order… Continue Reading ›
For those familiar with JOHN GRANT’s previous body of work, from ‘Pale Green Ghosts’ onwards there started to be a bipolar nature to his music, swinging from electronic-based tracks being in the minority through to them now being the main focus of his latest work ‘Love is Magic’.
The choice of main producer and CREEP SHOW band mate Benge has obviously been a major factor in this synthetic shift. There is no pandering to commerciality or laurel-resting here... Continue Reading ›
Arranged, co-produced and mixed with Benge at the latter’s Memetune Studios in Cornwall, the new BLANCMANGE album ‘Wanderlust’ is focussed on “the pretence of a normal world being erased.”
BLANCMANGE’s first phase produced just three albums ‘Happy Families’, ‘Mange Tout’ and ‘Believe You Me’. But since his 21st Century return in 2011 with ‘Blanc Burn’, frontman Neil Arthur has become possibly the most prolific man in electronic music. Continue Reading ›
BLANCMANGE’s Neil Arthur is probably the most prolific man in electronic music at the moment. Hot on the heels of 2017’s ‘Unfurnished Rooms’ comes ‘Wanderlust’, an album which sees a more expansive sonic palette after the minimalistic approach of its predecessor.
In a break from making preparations to head out on another concert tour this Autumn, Neil Arthur kindly chatted to The Electricity Club about the making of BLANCMANGE’s latest opus. Continue Reading ›