‘Howl’ is the fifth studio album from JOHN FOXX & THE MATHS and sees the former ULTRAVOX! front man reuniting with his ‘Systems Of Romance’ guitarist Robin Simon. It sees guitars as very much part of the scenery in partnership with the electronics
The Electricity Club caught up with John Foxx for a chat about the genesis of ‘Howl’ and drawing on artistic parallels from working with Conny Plank back in 1978 for ‘Systems Of Romance’… Continue Reading ›
Developing on a childhood fascination with electronic sound, after finishing art school, Ben Edwards set up a music studio in London and began acquiring discarded vintage synthesizers to equip it.
So by way of a Beginner’s Guide to Benge, here are 18 examples of his work, subject to a limit of one track per artist moniker or combination, presented in yearly and then alphabetical order. As his own blog says “It’s full of stars”! Continue Reading ›
As prolific as ever, Neil Arthur has a new BLANCMANGE album set for release in May 2020. Entitled ‘Mindset’, it will be the eighth full length long player of new material since 2011’s return with ‘Blanc Burn’. Neil Arthur and Stephen Luscombe only released three albums during their original heyday.
In his tenth interview with The Electricity Club, coinciding with the tenth anniversary of the site, Neil Arthur chatted about his mindset, his music and his motivations… Continue Reading ›
Synth superduo FADER have followed up their 2017 debut album ‘First Light’ with a collection of slightly more minimal introspective songs ‘In Shadow’.
Comprising of Neil Arthur from BLANCMANGE and Benge, best known for his work with WRANGLER and JOHN FOXX & THE MATHS, this is a less aurally harsh proposition than modern day BLANCMANGE. Delicate in disposition, darker and moodier overtones exude with the spectre of insomnia a dominant factor. Continue Reading ›
Together, Neil Arthur and Benge are FADER. Following the critical acclaim for their 2017 debut long player ‘First Light’, a second FADER album entitled ‘In Shadow’ is about to be unleashed for public consumption at the end of October.
Perhaps musically more introspective than its predecessor, ‘In Shadow’ however finds Neil Arthur expressing an understated frustration and anger with the world at large. Neil Arthur and Benge kindly spoke about their latest collaboration and its more minimal approach. Continue Reading ›