‘Demian’ is the third solo album from Helsinki based artist THE HEARING aka Ringa Manner. The eager Finn composes, writes and co-produces her latest output, which follows the previous two ‘Dorian’ and ‘Adrian’, completing the trilogy of her ever evolving experimental sound.
THE HEARING goes for the kill on her third long player. Sitting somewhere between modern synth and plain pop, it is definitely youthful and appealing. Continue Reading ›
The Swedish band LADOMIR, who described themselves as “synth and string”, was the jump start for Anna Öberg, who had long been a stand-alone composer and lyricist.
A self-confessed lover of pop, Öberg decided to take the plunge into the ocean of electronica, releasing ‘Härsknar’ as her first solo long player. This year sees Öberg’s return with a follow-up, ‘Vafan Har Jag Gjort!’, which sweetly translates as “What the f*ck have I done!” Continue Reading ›
There’s a group of female artists out there, who are doing it for the girls and SARAH P. is certainly one of them.
This winter sees her returning Greek goddess style with a five song EP borrowing its name from Greek mythology. “Maenads” are female followers of Dionysus, the god of theatre, fertility and wine and SARAH P. feels united with her Hellenic heritage and describes the release as a true representation of herself. The need to rely on oneself is expressed in the foxy ‘Lotus Eaters’. Continue Reading ›
For the lovers of all things weird and wonderful, electronica style, here’s LOTIC with their debut ‘Power’. Choosing Berlin as their abode, the new album by Texan born artist is an “expansive exploration of the many ways in which power can be expressed and experienced”.
Few years ago, LOTIC ventured into the world of quirky electronica with two EPs, ‘Heterocetera’ and ‘Agitations’, but it’s on this long player ‘Power’ that they introduce vocal experimentations for the first time. Continue Reading ›
KARIN PARK first found fame in Norway with her 2004 debut 'Superworldunknown'.
Co-produced and mixed by Christoffer Berg whose credits include THE KNIFE, FEVER RAY and DEPECHE MODE, it has been a steady burner embraced through word of mouth. But even this combination of industrial, dubstep, ambient and synthpop couldn’t prepare for the spectacle of a KARIN PARK live show. Continue Reading ›