BLANCMANGE’s Neil Arthur is probably the most prolific man in electronic music at the moment. Hot on the heels of 2017’s ‘Unfurnished Rooms’ comes ‘Wanderlust’, an album which sees a more expansive sonic palette after the minimalistic approach of its predecessor.
In a break from making preparations to head out on another concert tour this Autumn, Neil Arthur kindly chatted to The Electricity Club about the making of BLANCMANGE’s latest opus. Continue Reading ›
Neil Arthur and Jez Bernholz are NEAR FUTURE, a project featuring the BLANCMANGE front man and the Brighton based artist who also co-founded the Anti Ghost Moon Ray art collective that spawned GAZELLE TWIN.
Their debut album 'Ideal Home' has been several years in the making, constructed through the modern medium of remote collaboration, although the pair have shared a stage on numerous occasions, notably on BLANCMANGE’s Semi Detached’ tour. Continue Reading ›
Swelling in sonic density, NEAR FUTURE’s ten-track debut album ‘Ideal Home’ is an enjoyable experimental collection of songs and soundscapes that showcases the music combination of Neil Arthur and Jez Bernholz.
NEAR FUTURE kindly took time out to chat about their first full length fruit of labour and described how their partnership has allowed each of them to think outside of their regular artistic boxes to produce a quite unusual but accessible body of work. Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is an important creative opportunity that can widen a musical audience and expand the aural palette.
SOFT CELL’s cover of 'Tainted Love' became ubiquitous as Synth Britannia’s first true crossover record. So what of the other great synth reworkings? The covers in this listing are predominantly conventional songs reworked in a synthpop manner. They are presented in chronological order. Continue Reading ›
The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists.
Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs.
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