Tag: Blancmange (page 1 of 12)
B-sides have been a wondrous platform of adventure for the music fan, a hidden treasure trove of experimentation that was often a secret society that positioned the listener into being part of a mysterious taste elite. So here are The Electricity Club’s favourite Classic 25 Synth B-sides… but how was this list defined?
These artefacts are flipsides of vinyl or bonus tracks on CD singles; basically songs that were not featured on the original issue of a full length album, or subsequently included on a new one. Continue Reading ›
Influenced by the experimental side of Synth Britannia and the groundbreaking electronica of Warp Records, Bristol-based Finlay Shakespeare has presented one of the most impressive releases of 2020 in his second album ‘Solemnities’.
Finlay Shakespeare kindly took time out and spoke to The Electricity Club about the making of 'Solemnities', its lyrical inspiration and gave a fascinating insight into the equipment involved in the album’s realisation. Continue Reading ›
‘Mindset’ is the ninth full length BLANCMANGE long player of new material since their return in 2011 with ‘Blanc Burn’. It is also the third BLANCMANGE album to be released in 2020 after the ‘Nil By Mouth 2’ instrumental collection and the ‘Waiting Room (Volume 1)’ outtakes compendium.
As with recent albums, it is co-produced by Benge and Neil Arthur continues to give his morose take on the world Continue Reading ›
For Bristol-based Finlay Shakespeare, his interest in synths came from his parents’ record collection.
The material on his debut album ‘Domestic Economy’ was initiated by improvisation whilst being recorded live, with one of its highlights ‘Amsterdam’ being an example in modern Motorik. But ‘Solemnities’ is a definite progression, offering more shape and structure than its predecessor, but maintaining a distinct post-punk anguish.
Continue Reading ›
The Electricity Club celebrates its tenth birthday and it really has been synthly the best. It is still pushing the envelope, continuing to reflect the interests of people who love the Synth Britannia era and have a desire to hear new music seeded from that ilk. With artists like ANI GLASS, IMI, KNIGHT$, NINA, MECHA MAIKO, GEISTE and PLASMIC among those on the cusp of a wider breakthrough, there is still more excellent music still to be created, discovered and savoured. Continue Reading ›