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Tag: Blue Zoo

ELECTRICAL LANGUAGE Independent British Synth Pop 78-84

From Cherry Red Records, the makers of the ‘Close To The Noise Floor’ trilogy showcasing formative and experimental electronic music from the UK, Europe and North America, comes their most accessible electronic collection yet. Subtitled ‘Independent British Synth Pop 78-84’, ‘Electrical Language’ is a boxed set covering the post-punk period when all that synthesizer experimentation and noise terrorism morphed into pop. This was pop in a very loose manner with melodies, riffs and danceable rhythms. Largely eschewing the guitar and the drum kit, this was a fresh movement which sprung from a generation haunted by the spectre of the Cold War, Mutually Assured Destruction and the Winter of Discontent. Continue Reading ›

TEC’s 2017 End Of Year Review

The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists. Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs. Continue Reading ›

BLUE ZOO Interview

BLUE ZOO are best known for their No13 UK hit with ‘Cry Boy Cry’ in Autumn 1982. Their 1983 debut album ‘2 By 2’ released on Magnet Records also included the near hits ‘I’m Your Man’ and ‘Forgive & Forget’. With a brand new single ‘Funganista’ about to be launched and a zest to perform more live dates, vocalist Andy Overall chatted to The Electricity Club about the past, present and future of BLUE ZOO… Continue Reading ›

BLUE ZOO + B-MOVIE Live at Dingwalls

London’s Dingwalls played host to a fabulous double header. The colourful BLUE ZOO, managed by the JAPAN and WHAM! svengali Simon Napier-Bell, achieved a No13 hit with ‘Cry Boy Cry’ in 1982. Meanwhile, despite having appeared on the ‘Some Bizzare Album’ alongside DEPECHE MODE, SOFT CELL, BLANCMANGE and THE THE, the Stevo managed B-MOVIE were sadly unable to secure a major chart entry, despite being on the cusp with the magnificent singles 'Nowhere Girl and 'Remembrance Day'. Continue Reading ›