Amour Records / Minos EMI / Universal Music in collaboration with Undo Records are to release a 2CD compilation compiled by The Electricity Club. Capturing its ethos to feature the best in new and classic electronic pop music, this compilation is the culmination of a period which has seen the resurgence of the genre.
Over the years, The Electricity Club appears to have reflected the interests of people who love the Synth Britannia era. Continue Reading ›
The highlight of German songstress KATJA VON KASSEL’s ‘Walking In West Berlin’ EP, the song ‘Someday’ has now been given a welcome and fitting video treatment. Tastefully risqué, the visuals see a very sultry Fraulein von Kassel sorrowfully pondering over the phone
The song was the start of a new writing partnership with former Numan keyboardist Chris Payne. Katja and Chris chatted about the genesis of ‘Someday’ and its sophisticated magnificence. Continue Reading ›
Some of the best independent synth driven acts were at gathered together at Electrowerkz for Synth Wave Live 2.
Held in collaboration with various outlets and The Electricity Club, artists and enthusiasts from around the world made the trip to London and were welcomed by Rusty Egan for one of his famed DJ sets for those who like it electronic. An event’s quality can often be reflected by its clientele and among those attending were Sarah Blackwood, Jonathan Barnbrook and Rudi Esch. Continue Reading ›
The captivating German songstress KATJA VON KASSEL follows up her debut EP with a three song plus bonus variants compendium entitled ‘Walking In West Berlin’.
Having worked previously with LADYHAWKE collaborator Alex Gray, ‘Walking In West Berlin’ sees a change of direction in a new writing partnership with former Numan keyboardist Chris Payne, fresh from a rebooting of his ELECTRONIC CIRCUS side-project and his successful stint writing with Rusty Egan. Continue Reading ›
The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists.
Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs.
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