Documentary Evidence is an unofficial Mute Records website run by freelance music journalist Mat Smith. Smith compiles an end of year Top 10 albums listing and in 2017, he controversially included TAYLOR SWIFT’s ‘Reputation’ at No4 above the No6 placed ‘Spirit’ from DEPECHE MODE.
Mat Smith gave an explanation as to why last year, he preferred Taytay over Essex Dave and presented his Documentary Evidence…
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Dublin trio TINY MAGNETIC PETS make their long awaited return but perhaps unexpectedly, they’re back with a cover of the track that launched the career of Glaswegian synth combo CHVRCHES.
In its original form, ‘Lies’ was like THE WATERBOYS’ ‘The Whole Of The Moon’ re-imagined by DEPECHE MODE but fronted by ROBYN. But what Paula Gilmer, Sean Quinn and Eugene Somers have done with their reinterpretation of ‘Lies’ is offer a dreamy psychedelic electro arrangement. Continue Reading ›
What’s the definition of synthpop? Well, it’s pop music that uses synthesizers.
Whether it’s THE HUMAN LEAGUE or CHVRCHES, for generations over 30 years apart, these two acts’ interpretations of synthpop have been an entry point for many into the world of electronic music. People seem to forget that very few actually get into THROBBING GRISTLE on first listen! One new act embracing the sound of both THE HUMAN LEAGUE and CHVRCHES are the Leeds-based duo PARK FIRES. Continue Reading ›
Having delivered the decent second album that LITTLE BOOTS, LA ROUX, LADYHAWKE or HURTS never managed, can CHVRCHES’ continue the upward momentum with their third album ‘Love Is Dead’?
With the kaleidoscopic lead single ‘Get Out’ and its supreme singalong showcasing Lauren Mayberry, Iain Cook and Martin Doherty in full bouncy Taylor mode, nothing more than their most overt pop statement to date can be expected. Continue Reading ›
When CHVRCHES released ‘The Mother We Share’, The Electricity Club described it as “the sound of TAYLOR SWIFT gone electro”. And now with the kaleidoscopic ‘Get Out’, the bouncy first song to be previewed from CHVRCHES’ as-yet-untitled third album, Lauren Mayberry, Iain Cook and Martin Doherty have gone the full Taylor and presented their most overt pop statement to date.
With a highly infectious chorus and bridge, ‘Get Out’ is one of those supreme singalongs. Continue Reading ›