Tag: Computer Magic (page 1 of 2)
2019 was a year of 40th Anniversaries, celebrating the synth becoming the sound of pop when ‘Are Friends Electric?’ reached No1 in the UK chart in 1979.
Despite the fall of The Berlin Wall 30 years ago, there were more evident swipes to the right than there had been for a long time, with the concept of Brexit Electro becoming a rather unpleasant reality. So in these more sinister times, the need for classic uplifting electronic pop was higher than ever. Continue Reading ›
Mancunian producer Manzur Iqbal is the man behind FUTURECOP! Since 2006, the project has grown in popularity, having gained audiences across the globe, sitting comfortably in the niche of synthwave and synth revival circles.
Iqbal, despite having had no previous musical experience, started experimenting with sound to bring back the charm of his youth and FUTURECOP! was born. Known for his collaborations, FUTURECOP! is back with his brand new album 'Voltrana'. Continue Reading ›
New York based shinnichi Danz Johnson released her first COMPUTER MAGIC album ‘Scientific Experience’ as a Japanese only release in 2012. Her most recent long player 'Danz' is her possibly her darkest offering yet.
Danz Johnson took time out to have a quick chat with The Electricity Club about the latest COMPUTER MAGIC audio visual presentation for ‘Ordinary Life (Message From an A.I. Girlfriend)’ and how the world needs to dress up more… Continue Reading ›
“Background noise, breakquest, reverb, spending time, large hadron collider, warp drive, the empire”… that’s how New York based shinnichi Danz Johnson aka COMPUTER MAGIC describes her interests.
Her first album proper ‘Davos’ emerged in 2015. There have been EPs and singles as well, with enjoyably escapist ‘Obscure But Visible’ EP possibly her best body of work yet. But now at last comes another COMPUTER MAGIC simply titled 'Danz'.
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The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists.
Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs.
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