Tag: Daniel Miller (page 1 of 5)
This history of Mute Records and its esteemed founder Daniel Miller is more than well documented. He began taking an interest in synthesizers for making pop music after hearing KRAFTWERK’s ‘Autobahn’.
With a vast and varied portfolio to investigate, The Electricity Club looks back at the creative career of Daniel Miller in music via eighteen of his productions and remixes, with a restriction of one track per artist moniker, presented in yearly, then alphabetical order. Continue Reading ›
For Bristol-based Finlay Shakespeare, his interest in synths came from his parents’ record collection.
The material on his debut album ‘Domestic Economy’ was initiated by improvisation whilst being recorded live, with one of its highlights ‘Amsterdam’ being an example in modern Motorik. But ‘Solemnities’ is a definite progression, offering more shape and structure than its predecessor, but maintaining a distinct post-punk anguish.
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In association with Cold War Night Life, TEC006 on SATURDAY 30TH NOVEMBER 2019 at Electrowerkz in London will feature the live return of KOMPUTER.
Taking a leaf out of the low monobrow antics of OASIS, the duo of Simon Leonard and David Baker decided “instead of ripping off THE BEATLES we'd rip off KRAFTWERK”.
In a break from making preparations for the show, David Baker had a quick chat about Russian history, OMD, Daniel Miller and more… Continue Reading ›
With a pair of excellent albums ‘Like Before’ and ‘Utopia’ now under his belt, Swedish synthesist JOHAN BAECKSTRÖM has more than established his solo credentials.
From his studio utopia via the wonders of online communication, Baeckström challenged The Electricity Club to a round of Vintage Synth Trumps and told a few interesting stories about his fabulous collection of electronic keyboards and much more. Continue Reading ›
Although originally released 18 years ago on CD, this compilation of Frank Tovey’s singles-based material as FAD GADGET is now debuting on vinyl for the first time with an identical track listing spread over four sides.
Looking back retrospectively, one can see how Tovey’s incarnation as FAD GADGET provided a perfect middle ground between DEPECHE MODE’s early synthpop and the darker Industrial experimentation of acts such as THROBBING GRISTLE. Continue Reading ›