REED & CAROLINE’s debut album ‘Buchla & Singing’ did what it said on the tin and with it came charming quirky synthpop like ‘John & Rene’ and ‘Electron’.
Championed by none other than Vince Clarke and signed to his Very Records, Reed Hays and Caroline Schutz successfully combined tunes with electronic experimentation.
Their second album ‘Hello Science’ is more of the same, but with cello and a Vako Orchestron added to the playground apparatus. Continue Reading ›
It was 2000 when the last DUBSTAR album ‘Make It Better’ was released, but the trio of Sarah Blackwood, Chris Wilkie and Steve Hillier imploded after a career which saw them score several hits in ‘Not So Manic Now’, ‘Stars’, ‘Anywhere’ and ‘No More Talk’.
On 1st June 2018, DUBSTAR reappeared as a duo with a brand new tune 'Waltz No9' hitting digital platforms. Before anyone even had time to breathe, a second song 'You Were Never in Love' was unleashed to the public. Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is an important creative opportunity that can widen a musical audience and expand the aural palette.
SOFT CELL’s cover of 'Tainted Love' became ubiquitous as Synth Britannia’s first true crossover record. So what of the other great synth reworkings? The covers in this listing are predominantly conventional songs reworked in a synthpop manner. They are presented in chronological order. Continue Reading ›
It cannot be denied that it was GARY NUMAN who became the world's first synthesizer pop star. He won the Best Male Singer category at the 1979 British Rock and Pop Awards, the-then equivalent of the BRITs.
Not a best of listing, this expanded twenty-two track Beginner’s Guide by The Electricity Club chronicles the varied musical adventures of GARY NUMAN through his own work and collaborations, with a restriction of one track per album project. Continue Reading ›
Based out of New York State, producer, label owner and songwriter Danz Johnson is COMPUTER MAGIC. A Japanophile or "shinnichi" as the locals like to put it, Johnson actually released her first album ‘Scientific Experience’ as a Japan only release in 2012.
COMPUTER MAGIC’s self-explanatory ‘Obscure But Visible’ EP released last year has been hailed as her best body of work yet and it has been given a promotional boost thanks to a fabulous video for the vibrant synthpop of ‘Been Waiting’. Continue Reading ›