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Tag: Duran Duran (page 2 of 6)

TEC’s 25 21ST CENTURY SYNTH COVERS

“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is still very much present in the 21st Century. However, a newish phenomenon of covering an entire album has appeared in more recent years So as a follow-up to TEC’s 25 Classic Synth Covers’ listing, here is a selection taken from reinterpretations recorded from 2000 to the present day, restricted to one song per artist moniker and presented in chronological order. Continue Reading ›

TEC’s 25 CLASSIC SYNTH COVERS

human league only after dark“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is an important creative opportunity that can widen a musical audience and expand the aural palette. SOFT CELL’s cover of 'Tainted Love' became ubiquitous as Synth Britannia’s first true crossover record. So what of the other great synth reworkings? The covers in this listing are predominantly conventional songs reworked in a synthpop manner. They are presented in chronological order. Continue Reading ›

LUSTANS LAKEJER Interview

LUSTANS LAKEJER are the unga moderna trailblazers who were once described as Sweden’s answer to DURAN DURAN. The band came to international attention when their third long player ‘En Plats I Solen’ was produced by Richard Barbieri of JAPAN. With LUSTANS LAKEJER to tour ‘En Plats I Solen’ later this year, singer Johan Kinde kindly chatted to The Electricity Club about the band’s career… Continue Reading ›

A Beginner’s Guide To DURAN DURAN

DURAN DURAN were described by The Guardian in 2015 as “an electronic band with a heavy rock guitarist bolted on”. With a restriction of one song per album project, this is not a ‘best of’ list or a history of the band. Friends of mine, this is The Electricity Club’s own Beginner’s Guide to the work of DURAN DURAN… Continue Reading ›

THE FAINT Capsule: 1999-2016

the-faint-capsuleWhen the new millennium began, things were grim for the electronic pop fan... the mainstream music scene had been infiltrated by the tedium of landfill indie. However, there were new beacons of hope in LADYTRON and GOLDFRAPP, while synthpop was to become the rogue element of rock bands such as THE KILLERS and THE BRAVERY. But before the latter pair emerged, there was THE FAINT. Continue Reading ›

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