Tag: Duran Duran (page 2 of 6)
From Wall Of Sound Records, the stable that brought the world the stable that brought the world RÖYKSOPP, LES RHYTHMES DIGITALES and PROPELLERHEADS, comes Italian singer, songwriter, arranger, producer and remixer EUGENE.
Although his first single ‘Dior DNA’ was released in 2006 by UdU Records and the Casio-laced ‘Promenade’ came out in 2014, EUGENE has been making synthwaves in the past 12 months, particularly with the dreamy ‘Waiting for You’. Continue Reading ›
While Colin Thurston is perhaps not as lauded as Conny Plank, Giorgio Moroder and Trevor Horn, he undoubtedly helped shape the sound of a pioneering musical era.
It was Thurston’s work with DURAN DURAN that was to have the biggest worldwide impact. His portfolio indeed reads like a Who's Who? of popular music; The Electricity Club looks back at the career of Colin Thurston via eighteen tracks presented in chronological order, with a limit of one track per album project. Continue Reading ›
There are many bands from the Synth Britannia-era that are often perceived as being electronic, when in fact they either started off in a traditional band format and integrated synthesizers/sequencers or remained like that throughout most of their career.
ULTRAVOX, NEW ORDER and GARY NUMAN all fell into that format, but what about others who have successfully managed to meld the rigidity and coldness of electronics with the more human element of guitars. Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is still very much present in the 21st Century. However, a newish phenomenon of covering an entire album has appeared in more recent years
So as a follow-up to TEC’s 25 Classic Synth Covers’ listing, here is a selection taken from reinterpretations recorded from 2000 to the present day, restricted to one song per artist moniker and presented in chronological order. Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is an important creative opportunity that can widen a musical audience and expand the aural palette.
SOFT CELL’s cover of 'Tainted Love' became ubiquitous as Synth Britannia’s first true crossover record. So what of the other great synth reworkings? The covers in this listing are predominantly conventional songs reworked in a synthpop manner. They are presented in chronological order. Continue Reading ›