synth.nu is a Swedish language web publication that covers a broad spectrum of electronic music. Founded in 2005, like The Electricity Club, synth.nu follows an ethos that covers both new and established acts.
Following a first meeting at the Electronic Summer 2015 Festival in Gothenburg, synth.nu's Martin Brandhill chatted to TEC’s co-founder Chi Ming Lai for an interview feature that was originally published at synth.nu earlier in January... More Inside ›
The user manual for the Roland System 100 semi-modular synthesizer profoundly stated “there are no illegal connections…” - and in modern electronic music, that is still the case with the accomplished artists of today very much connected to the synth pioneers of yesteryear like KRAFTWERK, OMD, DEPECHE MODE and THE HUMAN LEAGUE.
2014 was a comparatively lean 12 months, but this year found many veterans returning to the fold. More Inside ›
In a far more productive year than 2014, many electronic music veterans returned to the fold in 2015 with their first new albums for many years.
There were plenty of releases from independent acts too, with Nordic Europe being a particularly strong territory once again. With a restriction of one song per artist moniker, here are The Electricity Club’s 30 SONGS OF 2015… More Inside ›
This year’s TEC Panel Interview was a truly Trans-Atlantic event. As well as regular TEC contributors Monika Izabela Goss and Paul Boddy, there was Simon Helm, curator of the Nordic-friendly website, Cold War Night Life.
Joining the panel as part of a weeklong visit to the UK were LA based synthpop duo NIGHT CLUB. Pondering a series of questions about the state of the synth nation, it was a lively and forthright discussion... More Inside ›
Issued to coincide with her recent tour supporting EAST INDIA YOUTH, multi-instrumentalist singer/songwriter HANNAH PEEL has released ‘Rebox 2’, a seven track mini-album comprising of four covers and three new instrumentals.
So having applied her technique to the songs of Synth Britannia, ‘Rebox 2’ brings HANNAH PEEL up to date by reinterpreting the work of her modern day contemporaries. More Inside ›