Tag: Erasure (page 1 of 10)

DAILY PLANET Interview

Jarmo Ollila and Johan Baeckström formed Swedish synthpop duo DAILY PLANET back in 1994. A period of eighteen years spanned between their well-received debut album ‘The Tide’ and the appropriately named follow-up ‘Two’ released in 2014 by Progress Productions, home of the highly acclaimed KITE. With their excellent third album 'Play Rewind Repeat' just released, Jarmo Ollila and Johan Baeckström chatted to The Electricity Club. More Inside ›

DAILY PLANET Play Rewind Repeat

DAILY PLANET came into being when two Swedes, Jarmo Ollila and Johan Baeckström decided to form a synthpop band in 1994. Having released two noteworthy singles and a long player two years later, the band stopped. Surprisingly eighteen years on in 2014, the duo brought out an excellent comeback with 'Two'. But now DAILY PLANET are back with another surprising opus, which will turn heads and make folk reach for their dancing shoes. More Inside ›

ERASURE World Be Gone

2014 saw the Vince Clarke / Andy Bell combo celebrate yet another success with 'The Violet Flame', where according to Bell, ERASURE “definitely found (their) mojo again with this record”. Following their thirtieth anniversary, the synthpop kings now return with the seventeenth studio album entitled 'World Be Gone'. This time, self-produced by ERASURE and mixed by Matty Green, the long player sees Vince and Andy in a more pensive mood. More Inside ›

Missing In Action: YOUNGER YOUNGER 28s

Combining musical template of THE HUMAN LEAGUE with lyrical wit of PULP, YOUNGER YOUNGER 28s were the shining light in synthpop during an era full of dour landfill indie like TRAVIS following the fallout from Britpop. 17 years on, The Electricity Club managed to trace Ashley Reaks somewhere in the city of London; he kindly chatted about the period when he “was nearly a crap pop star...” More Inside ›

TEC’s 25 FAVOURITE DIGITAL SYNTHS

The switch to digital technology in the production of synthesizers caused a seismic shift not just in the way that music was produced, but also how analogue devices were perceived. The synths chosen are also from the first wave of digital synths and as such doesn’t include any of the current wave of digital-based products. More Inside ›

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