Ever bought an album on the strength of a single, only to find that “this is not the single I am looking for”?? As long as there has been a music business, artists and producers have been forever tinkering with their work.
Restricted to one single per artist and presented in chronological and then alphabetical order, here are The Electricity Club’s 25 Single Versions That Are Better Than The Album Versions… Continue Reading ›
Amour Records / Minos EMI / Universal Music in collaboration with Undo Records are to release a 2CD compilation compiled by The Electricity Club. Capturing its ethos to feature the best in new and classic electronic pop music, this compilation is the culmination of a period which has seen the resurgence of the genre.
Over the years, The Electricity Club appears to have reflected the interests of people who love the Synth Britannia era. Continue Reading ›
Celebrating their career with a lavish 10 disc boxed set, ‘Keychains & Snowstorms: The SOFT CELL Story’ features material from both periods of the duo including their imperial phase when they had a continuous run of hit singles between 1981-1984 and the 2001-2003 reunion.
Dave Ball said: “It’s got a lot of stuff, there’s a great book that comes with it which has got quotes from people like Neil Tennant and Trent Reznor, so it’s interesting … if anybody is a serious fan, I think it’s a must!“ Continue Reading ›
Championed by none other than Vince Clarke and signed to his VeryRecords, REED & CAROLINE have just completed a successful US tour with ERASURE. Reed Hays and Caroline Schutz’s 2016 debut album ‘Buchla & Singing’ did what it said on the tin. Its follow-up 'Hello Science' is a much more on point as a distinct pop focussed offering.
Now back home, Reed Hays kindly chatted to The Electricity Club about science, Buchlas, Orchestrons and his radio show with Vince Clarke… Continue Reading ›
Documentary Evidence is an unofficial Mute Records website run by freelance music journalist Mat Smith. Smith compiles an end of year Top 10 albums listing and in 2017, he controversially included TAYLOR SWIFT’s ‘Reputation’ at No4 above the No6 placed ‘Spirit’ from DEPECHE MODE.
Mat Smith gave an explanation as to why last year, he preferred Taytay over Essex Dave and presented his Documentary Evidence…
Continue Reading ›