Tag: Fader (page 1 of 3)
Developing on a childhood fascination with electronic sound, after finishing art school, Ben Edwards set up a music studio in London and began acquiring discarded vintage synthesizers to equip it.
So by way of a Beginner’s Guide to Benge, here are 18 examples of his work, subject to a limit of one track per artist moniker or combination, presented in yearly and then alphabetical order. As his own blog says “It’s full of stars”! Continue Reading ›
2019 was a year of 40th Anniversaries, celebrating the synth becoming the sound of pop when ‘Are Friends Electric?’ reached No1 in the UK chart in 1979.
Despite the fall of The Berlin Wall 30 years ago, there were more evident swipes to the right than there had been for a long time, with the concept of Brexit Electro becoming a rather unpleasant reality. So in these more sinister times, the need for classic uplifting electronic pop was higher than ever. Continue Reading ›
Synth superduo FADER have followed up their 2017 debut album ‘First Light’ with a collection of slightly more minimal introspective songs ‘In Shadow’.
Comprising of Neil Arthur from BLANCMANGE and Benge, best known for his work with WRANGLER and JOHN FOXX & THE MATHS, this is a less aurally harsh proposition than modern day BLANCMANGE. Delicate in disposition, darker and moodier overtones exude with the spectre of insomnia a dominant factor. Continue Reading ›
Together, Neil Arthur and Benge are FADER. Following the critical acclaim for their 2017 debut long player ‘First Light’, a second FADER album entitled ‘In Shadow’ is about to be unleashed for public consumption at the end of October.
Perhaps musically more introspective than its predecessor, ‘In Shadow’ however finds Neil Arthur expressing an understated frustration and anger with the world at large. Neil Arthur and Benge kindly spoke about their latest collaboration and its more minimal approach. Continue Reading ›
BLANCMANGE’s Neil Arthur is probably the most prolific man in electronic music at the moment. Hot on the heels of 2017’s ‘Unfurnished Rooms’ comes ‘Wanderlust’, an album which sees a more expansive sonic palette after the minimalistic approach of its predecessor.
In a break from making preparations to head out on another concert tour this Autumn, Neil Arthur kindly chatted to The Electricity Club about the making of BLANCMANGE’s latest opus. Continue Reading ›