37 years is a long time to wait for a debut album, but with Wakefield’s FIAT LUX, it has been worth it. Singer Steve Wright and multi-instrumentalist David P Crickmore released their magnificent first single ‘Feels Like Winter Again’ in 1982.
In total control of their destiny, Wright and Crickmore relaunched FIAT LUX in 2017 with a re-recording of ‘Secrets’, before setting about producing an album of all-new material, now unveiled with the wonderfully alliterate title of ‘Saved Symmetry’. Continue Reading ›
2018 saw JEAN-MICHEL JARRE celebrate 50 years in the business and whether the world really needed another of his compilations, ‘Planet Jarre’ was probably one of the better collected representations of his work for casual admirers.
SOFT CELL made a totally unexpected return for a huge one-off farewell gig at London’s O2 Arena; and with it came a boxed set, the ‘Northern Lights’ single and other new recordings which have raised hopes for a new album. Continue Reading ›
2018 was a year of good songs rather than good albums, with many of long players not as consistent or as of high a standard as the bumper crop from the Class of ’17.
Interestingly, three graduates from the 'Some Bizarre Album' made it into the final list, thus highlighting the longevity of that particular vinyl showcase some 37 years on! So with a restriction of one song per artist moniker, here are The Electricity Club’s 30 SONGS OF 2018 presented in alphabetical order… Continue Reading ›
Having relaunched FIAT LUX in early 2017 with a re-recording of one of their best known songs ‘Secrets’, singer Steve Wright and multi-instrumentalist David P Crickmore are to release their first new material in over three decades with an excellent single ‘It’s You’.
Together with their late saxophonist and keyboard player Ian Nelson, the trio’s emotive mix of dual vocals, synths and woodwinds gained airplay on Radio 1. FIAT LUX kindly took time out to talk to The Electricity Club. Continue Reading ›
The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists.
Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs.
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