Tag: FM Attack (page 1 of 2)
With a sound seeded from post-punk, goth and new wave, VANDAL MOON are shaped as much by their use of drum machines and synthesizers as much as guitars and the inevitable deep baritone vocals.
As a result, 'Black Kiss' is by their own admission is the duo’s most purely electronic work yet, largely written using synths while being inspired by THE CURE, DEPECHE MODE, THE SISTERS OF MERCY and THE PSYCHEDELIC FURS. Continue Reading ›
Like Sweden, as a country with a relatively small population in relation to land mass, Canada punches above its weight when it comes to its contribution to popular music. Like in the UK with the availability of affordability of technology from Japan in particular, Canadian youngsters were taking up synthesizers.
So here is The Electricity Club's list of 25 tracks from the circuit boards of Canada, subject to a limit of one per artist moniker, presented in yearly and then alphabetical order. Continue Reading ›
Founded by Brett Simpson and Stuart McLaren, Outland have become one of the best known synthwave and retrowave brands in the UK. Having organised big events in London, Glasgow and Toronto, alongside summer sunset boat cruises, Outland recently launched a record label.
Stuart McLaren kindly took time out from his busy schedule to talk to The Electricity Club about Outland’s aspirations and progression within the realms of modern synth music. Continue Reading ›
What a 2019 it has been for Ollie Wride. Having made his name as the vocalist of FM-84 with songs like ‘Running In The Night’, he made his first steps towards a parallel solo career.
Co-produced by Michael Oakley, the resultant album ‘Thanks In Advance’ was one of the best of the year, a collection of MTV friendly pop, synth rock and colourful ballads. One of the album’s highlights ‘I'm A Believer’ has been given a sympathetic and enjoyable makeover by FM ATTACK. Continue Reading ›
2019 was a year of 40th Anniversaries, celebrating the synth becoming the sound of pop when ‘Are Friends Electric?’ reached No1 in the UK chart in 1979.
Despite the fall of The Berlin Wall 30 years ago, there were more evident swipes to the right than there had been for a long time, with the concept of Brexit Electro becoming a rather unpleasant reality. So in these more sinister times, the need for classic uplifting electronic pop was higher than ever. Continue Reading ›