Tag: Frankie Goes To Hollywood (page 1 of 3)
In an enlightening chat after his ‘Infinity Mirror’ album launch show, Ryan A James, the talented Welshman behind MAN WITHOUT COUNTRY confessed that ‘Beta Blocker’ was where his headspace was currently at and indicative of his future musical direction.
Using the competitive antagonist drug prescribed predominantly to manage abnormal heart rhythms as a lyrical metaphor, ‘Beta Blocker’ is paradoxically one of the energetic highlights from his excellent third album. Continue Reading ›
A graduate of the London College Of Printing, photographer Peter Ashworth created some of the most iconic images from New Romantic and beyond.
His photographs adorned albums covers such as the debut long player by VISAGE, SOFT CELL ‘Non-Stop Erotic Cabaret’, ASSOCIATES ‘Sulk’, EURYTHMICS ‘In The Garden’, DEAD OR ALIVE ‘Sophisticated Boom-Boom’, ADAM & THE ANTS ‘Kings Of The Wild Frontier’, TINA TURNER ‘Private Dancer’ and many more. Continue Reading ›
Ever bought an album on the strength of a single, only to find that “this is not the single I am looking for”?? As long as there has been a music business, artists and producers have been forever tinkering with their work.
Restricted to one single per artist and presented in chronological and then alphabetical order, here are The Electricity Club’s 25 Single Versions That Are Better Than The Album Versions… Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is an important creative opportunity that can widen a musical audience and expand the aural palette.
SOFT CELL’s cover of 'Tainted Love' became ubiquitous as Synth Britannia’s first true crossover record. So what of the other great synth reworkings? The covers in this listing are predominantly conventional songs reworked in a synthpop manner. They are presented in chronological order. Continue Reading ›
Hailing from Stoke-on-Trent, WHITE DOOR formed from the ashes of prog rock combo GRACE and released one critically acclaimed album ‘Windows’ in 1983. Led by the sensitive vocal presence of Mac Austin, he was ably backed by the Davies brothers Harry and John on synths.
With renewed interest in WHITE DOOR, Mac Austin kindly chatted to The Electricity Club about the band’s brief flirtation with the pop charts and guesting recently with DAILY PLANET. Continue Reading ›