With the release of ‘Fakta För Alla’, PAGE have not only unveiled a candidate for the best album of 2019; they have sculpted some of the most mature and sophisticated sounds of their career.
Bengtsson can’t help making catchy hooks, and ‘Fakta För Alla’ (‘Facts For Everyone’) doesn’t have a single filler track. It is hardcore poptronica, with sweeping filters and bubbling basses providing the bedrock for Bengtsson’s dynamic vocal lines. Continue Reading ›
ROB DEAN is best known as a member of the classic quintet line-up of JAPAN with David Sylvian, Mick Karn, Steve Jansen and Richard Barbieri which acted as the blueprint for DURAN DURAN.
After JAPAN, Dean worked with GARY NUMAN, SINÉAD O’CONNOR and ABC. Now resident in Costa Rica, the guitarist kindly chatted to The Electricity Club about his time in JAPAN and his return to music with a brand new project LIGHT OF DAY… Continue Reading ›
It’s been a long time coming but one-time Numan guitarist and sideman Richard Russell Bell releases his first EP ‘Like-A-Human’.
The title song could easily be retitled “Like-A-Numan”, with Bell adopting the verbal mannerisms of the former Gary John Webb in a touching homage that will be enjoyed by long-standing card carrying Numanoids. Meanwhile on guitar, Bell turns into Robert Fripp! Continue Reading ›
Chris Payne is perhaps best known as a sideman to Gary Numan and co-writing ‘Fade To Grey’ with Billy Currie and Midge Ure for VISAGE. But more recently, Payne released his second solo work 'The Falling Tower', an ambitious concept album with neo-classical stylings about “a social and political armageddon”.
The Rouen-based Cornishman took time out to chat to The Electricity Club about ‘The Falling Tower’ and the various projects he is currently involved in… Continue Reading ›
If ‘The Falling Tower’, the second solo album by Chris Payne has a familiar ring to it, then you are not mistaken.
“Last year I rushed out an ELECTRONIC CIRCUS album of the same name and I wasn’t happy with it.” said the one-time Numan sideman, “If you’re writing an album about the collapse of modern civilisation, it’s not going to be all about ‘Jigs and Reels’.”The end result has Chris Payne reworking the album in an Industrial Classical Electronic style Continue Reading ›