While Colin Thurston is perhaps not as lauded as Conny Plank, Giorgio Moroder and Trevor Horn, he undoubtedly helped shape the sound of a pioneering musical era.
It was Thurston’s work with DURAN DURAN that was to have the biggest worldwide impact. His portfolio indeed reads like a Who's Who? of popular music; The Electricity Club looks back at the career of Colin Thurston via eighteen tracks presented in chronological order, with a limit of one track per album project. Continue Reading ›
It’s not often that a band takes 37 years to release their debut album, but that’s exactly what Chris Payne’s ELECTRONIC CIRCUS has done. It all started as a side project for the one-time Numan sideman.
Now featuring Chris Payne with Tim Vince, Mike Stewart and Dominique Hemard with occasional vocal contributions from his daughter Marikay, his ELECTRONIC CIRCUS promise a human cannonball of electronic sounds with ‘The Falling Tower’! Continue Reading ›
THE FRIXION are British-born Berlin based singer / lyricist Gene Serene and producer Lloyd Price, best known as a collaborative partner of SIGUE SIGUE SPUTNIK’s Martin Degville and a member of MASSIVE EGO.
THE FRIXION’s new single ‘Deceive A Believer’ develops on their debut EP ‘If U Ever Wonder’; with a performance at Synth Wave Live 2 and a short UK tour coming up, Gene Serene and Lloyd Price chatted to The Electricity Club about the artistic progression of THE FRIXION. Continue Reading ›
There are many bands from the Synth Britannia-era that are often perceived as being electronic, when in fact they either started off in a traditional band format and integrated synthesizers/sequencers or remained like that throughout most of their career.
ULTRAVOX, NEW ORDER and GARY NUMAN all fell into that format, but what about others who have successfully managed to meld the rigidity and coldness of electronics with the more human element of guitars. Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is an important creative opportunity that can widen a musical audience and expand the aural palette.
SOFT CELL’s cover of 'Tainted Love' became ubiquitous as Synth Britannia’s first true crossover record. So what of the other great synth reworkings? The covers in this listing are predominantly conventional songs reworked in a synthpop manner. They are presented in chronological order. Continue Reading ›