Tag: Gary Numan (page 2 of 18)
To narrow down ten years of electronic pop to 30 songs was always going to be a challenging task, but The Electricity Club has given it a go to offer its own subjective twist.
As per usual, The Electricity Club’s lists are all about rules. So this one has not only been restricted to one song per artist moniker but also to one vocalist. Presented in alphabetical order, here are The Electricity Club’s 30 SONGS OF THE DECADE 2010-2019… Continue Reading ›
2019 was a year of 40th Anniversaries, celebrating the synth becoming the sound of pop when ‘Are Friends Electric?’ reached No1 in the UK chart in 1979.
Despite the fall of The Berlin Wall 30 years ago, there were more evident swipes to the right than there had been for a long time, with the concept of Brexit Electro becoming a rather unpleasant reality. So in these more sinister times, the need for classic uplifting electronic pop was higher than ever. Continue Reading ›
Two of Sweden’s best loved acts of a more synthy disposition LUSTANS LAKEJER and PAGE gathered together at Malmö’s Babel for a celebration of classic songs and artistic progression.
Located in the shell of an old brick-built church, while Babel’s soundsystem and views of the stage were superb, its tedious entrance infrastructure left a lot to be desired. In all, it was a glorious evening featuring the best in classic Swedish pop as influenced by Synth Britannia, without the need for a translator. Continue Reading ›
California based KANGA creates an unforgettable symbiosis of hard and ethereal, wrapped in electronic soundscapes of Los Angeles. She likes mixing pop into her darker electro roots, not because pop sells but because the good hooks make a good song.
Her 2016 self-titled album, featuring guitarist Matthew Setzer and mixed by Rhys Fulber, created a buzz that continues to fuel the energy pushing the Santa Ana artist out into the open with her new mini album ‘Eternal Daughter’. Continue Reading ›
With the release of ‘Fakta För Alla’, PAGE have not only unveiled a candidate for the best album of 2019; they have sculpted some of the most mature and sophisticated sounds of their career.
Bengtsson can’t help making catchy hooks, and ‘Fakta För Alla’ (‘Facts For Everyone’) doesn’t have a single filler track. It is hardcore poptronica, with sweeping filters and bubbling basses providing the bedrock for Bengtsson’s dynamic vocal lines. Continue Reading ›