From the serene shores of Loch Lomond and the remote Outer Hebridean Isles, WITCH OF THE VALE have made a fine impression in their comparatively short period of being.
Possessing some Pagan fervour like GAZELLE TWIN meeting ‘The Wicker Man’ and ‘Twin Peaks’, the folk inspired stylings of Erin and Ryan Hawthorne have chillingly stood out. WITCH OF THE VALE kindly chatted to The Electricity Club about their musical philosophy and existential ideals… Continue Reading ›
The concept of “Teraz Polska” (Poland Now) has been popularised in the Slavic land on both sides of the Vistula River for years.
But could it be that it truly is the time for the Poles to conquer the world of electronica?
Polska has found her own GAZELLE TWIN: enter Natalia Zamilska from the famously darkest part of the country, Silesia. Covered in carbon soot, raising deep from the centre of the Earth, she hits hard with her third album ‘Uncovered’. Continue Reading ›
The Swedish band LADOMIR, who described themselves as “synth and string”, was the jump start for Anna Öberg, who had long been a stand-alone composer and lyricist.
A self-confessed lover of pop, Öberg decided to take the plunge into the ocean of electronica, releasing ‘Härsknar’ as her first solo long player. This year sees Öberg’s return with a follow-up, ‘Vafan Har Jag Gjort!’, which sweetly translates as “What the f*ck have I done!” Continue Reading ›
Inspired by Jean Paul Sartre and expressing the need to be isolated, moving away from other people because they are the cause of mental and emotional pain, FRAGILE SELF are a minimal electronic duo aiming to create dark pop music to communicate the detachment often felt within the human condition.
Comprising of Anil Aykan and Jonathan Barnbrook who each have graphic design backgrounds, their ethos sees the music and visuals work in tandem. Continue Reading ›
Looks like this year witnessed some great releases in the electronic circus, but often the best ones are left to last, and ‘Pseudopop’ may as well be that cherry on the cake of 2018.
Coming from an act that have been climbing the levels of dark synth scene for the last few years, with BLACK NAIL CABARET honing their unique soundscapes, the new album seems to twist things a bit again in the Hungarians’ camp. Yes it’s pop, it’s their own pop; something BNC never did before... Continue Reading ›