The Swedish band LADOMIR, who described themselves as “synth and string”, was the jump start for Anna Öberg, who had long been a stand-alone composer and lyricist.
A self-confessed lover of pop, Öberg decided to take the plunge into the ocean of electronica, releasing ‘Härsknar’ as her first solo long player. This year sees Öberg’s return with a follow-up, ‘Vafan Har Jag Gjort!’, which sweetly translates as “What the f*ck have I done!” Continue Reading ›
Inspired by Jean Paul Sartre and expressing the need to be isolated, moving away from other people because they are the cause of mental and emotional pain, FRAGILE SELF are a minimal electronic duo aiming to create dark pop music to communicate the detachment often felt within the human condition.
Comprising of Anil Aykan and Jonathan Barnbrook who each have graphic design backgrounds, their ethos sees the music and visuals work in tandem. Continue Reading ›
Looks like this year witnessed some great releases in the electronic circus, but often the best ones are left to last, and ‘Pseudopop’ may as well be that cherry on the cake of 2018.
Coming from an act that have been climbing the levels of dark synth scene for the last few years, with BLACK NAIL CABARET honing their unique soundscapes, the new album seems to twist things a bit again in the Hungarians’ camp. Yes it’s pop, it’s their own pop; something BNC never did before... Continue Reading ›
In the forest of independent music where trolls can spring from isolated rocks and mountains, it is refreshing for gatekeepers to allow through the spirit of an understated musical Seonaidh.
So from the serene shores of Loch Lomond and the remote Outer Hebridean Isles, come WITCH OF THE VALE. Comprising of the folk inspired stylings of Erin Hawthorne and the stark instrumental structures of her husband Ryan Hawthorne, their music possesses some Pagan fervour. Continue Reading ›
Following the success of her highly acclaimed ‘Unflesh’ album, Elizabeth Bernholz made her conceptual art as GAZELLE TWIN complete. And her latest long player ‘Pastoral’ says it all, from the striking Deutsche Grammophon referencing artwork co-conceived with Jonathan Barnbrook and beyond.
Elizabeth Bernholz chatted to The Electricity Club about her “deranged, absurd reflection of deranged and absurd times” in deepest Old England. Continue Reading ›