As innocent and idyllic as the new album title from GAZELLE TWIN sounds, those who are well familiar with Elizabeth Bernholz’s previous output, won’t be fooled. The queen of all things weird and wonderful is back after the highly acclaimed ‘Unflesh’.
‘Pastoral’ should be glorifying her new found life in the depths of Old England, a move amidst other life changing events; instead, it “exhumes England’s rotten past, and shines a torch over its ever-darkening present”. Continue Reading ›
For the lovers of all things weird and wonderful, electronica style, here’s LOTIC with their debut ‘Power’. Choosing Berlin as their abode, the new album by Texan born artist is an “expansive exploration of the many ways in which power can be expressed and experienced”.
Few years ago, LOTIC ventured into the world of quirky electronica with two EPs, ‘Heterocetera’ and ‘Agitations’, but it’s on this long player ‘Power’ that they introduce vocal experimentations for the first time. Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is still very much present in the 21st Century. However, a newish phenomenon of covering an entire album has appeared in more recent years
So as a follow-up to TEC’s 25 Classic Synth Covers’ listing, here is a selection taken from reinterpretations recorded from 2000 to the present day, restricted to one song per artist moniker and presented in chronological order. Continue Reading ›
Keeping her privacy well under wraps always seemed rather important for Elizabeth Bernholz aka GAZELLE TWIN. The concept of portraying herself via her music, instead of physical looks surely speaks for itself.
Based on the eponymous book by JG Ballard, the father of dystopian modernism, who in music has influenced everyone from GARY NUMAN to MADONNA, ‘Kingdom Come’ is a thoughtful representation of how the corporate greed and misplaced alliances alienate the individualism. Continue Reading ›
ROSEMARY LOVES A BLACKBERRY is the multi-faceted Russian musician and artist Diana Burkot.
Part of the Anti-Ghost Moon Ray collective, Burkot’s debut album is entitled '❤', because in Burkot’s own words, it is “an image that cannot be spoken, at a time when visual aesthetics are the priority”. As if to reinforce this concept, the previously unveiled ‘Purr’ is shaped by a gentle conceptual slice of leftfield while its accompanying video challenges “Self-identification through social networks” 🐱 Continue Reading ›