ROSEMARY LOVES A BLACKBERRY is the multi-faceted Russian musician and artist Diana Burkot.
Part of the Anti-Ghost Moon Ray collective, Burkot’s debut album is entitled '❤', because in Burkot’s own words, it is “an image that cannot be spoken, at a time when visual aesthetics are the priority”. As if to reinforce this concept, the previously unveiled ‘Purr’ is shaped by a gentle conceptual slice of leftfield while its accompanying video challenges “Self-identification through social networks” 🐱 More Inside ›
Tag: Gazelle Twin (page 1 of 6)
I SPEAK MACHINE is the audio / visual collaboration between musician Tara Busch and filmmaker Maf Lewis, inspired by Ennio Morricone and Sergio Leone who used to discuss score ideas while scripts were being written for the classic Spaghetti Westerns.
In Busch's own words "What was meant to be a 3 song EP by Benge & I morphed into an 11 song brain chomping monster". The ‘Zombies 1985’ film itself tells the story of greed and self-obsession in Thatcher’s Britain. More Inside ›
With a manifesto that “explores common ground in a strong aesthetic approach towards art, film, music, technology, science, and nature”, the Brighton based artistic co-operative Anti-Ghost Moon Ray have released a new compilation of music made by themselves and like-minded friends, entitled ‘Annual General Meeting Record - Volume 2’.
The international cast contribute 14 tracks emcompassing dark electronica, lost soundtracks and field recording experiments. More Inside ›
From Anti-Ghost Moon Ray, the Brighton-based collective that brought you GAZELLE TWIN, comes another enticing songstress by the name of ANNEKA.
Having already opened for EAST INDIA YOUTH and guested for other artists including STARKEY, ITAL TEK and FALTY DL, Anneka Warburton’s avant pop has now come to full solo fruition with the release of her first EP ‘Life Force’. More Inside ›
‘21st Century: A Man, A Woman And A City’ is a new compilation that gathers JOHN FOXX’s song based work from since the turn of the millennium.
After a hiatus between 1986 to 1995, Foxx has since been extremely prolific, dividing his time between a number of pop-oriented, ambient and soundtrack projects. The first section of this collection is laid out chronologically before the compilation’s appendix of assorted collaborations and remixes. More Inside ›
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