Tag: Giorgio Moroder (page 1 of 6)
Hailing from Buenos Aires, Maru Pardo Saguier and Sebastian Cordoves have been making music as COSAQUITOS EN GLOBO since 2004. Now located in Berlin, COSAQUITOS EN GLOBO are again reflecting more of the European heritage that is a key part of Argentina.
Having spent a charming evening having dinner with the couple in their adopted home last Autumn, The Electricity Club finally got round to formally chatting to COSAQUITOS EN GLOBO about their career to date. Continue Reading ›
So how did The Electricity Club arrive at its discerning musical ethos?
This is a very personal list of 30 tracks that shaped The Electricity Club. These are primarily songs that solidified and expanded the interest in synth or later provided hope in the face of real music snobbery and the return of the guitar in the wake of Britpop. This is the history that the too cool for school media, who think everything jumped from KRAFTWERK to Detroit Techno in one fell swoop, don't like to mention... Continue Reading ›
‘Mirores’ is the excellent debut long player by Welsh synth songstress ANI GLASS and conceived around the idea of movement and progress around her hometown of Cardiff.
ANI GLASS released her first EP ‘Ffrwydrad Tawel’ in 2017 having served an apprenticeship under mentors such as OMD’s Andy McCluskey and the late Martin Rushent. She kindly chatted to The Electricity Club about realising her artistic vision and remaining true to her culture. Continue Reading ›
Marc Cerrone is best known for 'Supernature’, a Top10 UK hit in 1978 which subsequently gained longevity thanks to its use as incidental music during the first series of ‘The Kenny Everett Video Show’. Its transfixing hook put Cerrone up with Giorgio Moroder in the European electronic disco stakes.
Having influenced the likes of DAFT PUNK and remixed THE HUMAN LEAGUE, the diminutive French maestro returns with a new album 'DNA', his seventeenth. Continue Reading ›
2019 was a year of 40th Anniversaries, celebrating the synth becoming the sound of pop when ‘Are Friends Electric?’ reached No1 in the UK chart in 1979.
Despite the fall of The Berlin Wall 30 years ago, there were more evident swipes to the right than there had been for a long time, with the concept of Brexit Electro becoming a rather unpleasant reality. So in these more sinister times, the need for classic uplifting electronic pop was higher than ever. Continue Reading ›