The Union Club in Soho was the location of ‘Question Mark’, a panel discussion hosted by Wall Of Sound and Back To the Phuture’s Mark Jones. The four guests gathered for the fascinating and extremely good humoured chat were OMD’s Paul Humphreys, HEAVEN 17’s Glenn Gregory, Steve Norman from SPANDAU BALLET and T’PAU vocalist Carol Decker.
Mark Jones announced this was to be the last free session to which Carol Decker amusingly quipped “Will I have to pay to talk about myself?” Continue Reading ›
With her distinctive ice maiden delivery, CLAUDIA BRÜCKEN is the undoubted queen of cinematic avant pop. She first came to prominence with PROPAGANDA and the Trevor Horn produced film noir drama of ‘Dr Mabuse’.
Although her catalogue is wide and varied, she is perhaps still very much regarded as a cult figure on the music scene. The Electricity Club offers a twenty track Beginner’s Guide to her work… Continue Reading ›
‘Eddie The Eagle’ is a biopic about Eddie Edwards, who represented Team GB in ski-jumping at the 1988 Winter Olympics in Calgary. Based on true events, the film stars Taron Egerton as Eddie Edwards and Hugh Jackman as Edwards’ fictional trainer.
The soundtrack features a collection of original songs curated by Gary Barlow, each recorded by British artists who are now usually seen frequenting retrospective events such as Rewind, Here & Now and Let’s Rock. Continue Reading ›
Over the five years since its inception in 2010, The Electricity Club has aimed to highlight the best new music within the electronic pop world. But with so much music and only a finite allocation of time, songs have slipped under the radar occasionally, or perhaps only received a glancing mention. However, a bit of time and distance can reveal if these recordings really are actually lost gems and whether The Electricity Club missed the boat.
So here are 30 songs covering the period between March 2010 to December 2014 which The Electricity Club feels are worthy of rediscovery. Continue Reading ›
With 2013 having been one of the strongest years in electronic pop since its post-punk heyday, 2014 was always going to struggle to compete, despite it being the 50th Anniversary of the Moog synthesizer’s first prototype demonstration at the Audio Engineering Society convention in October 1964.
While 2014 was nowhere near in terms of the high profile releases of 2013 or even 2011, it certainly surpassed the comparatively quiet year of 2012. But there were still a lot of live shows as momentum continued in support of the previous year’s releases. Continue Reading ›