Having started as a group of performers, the enterprise that is now FISCHERSPOONER consists of core members Warren Fischer and Casey Spooner, who are joined by a troupe of dancers and singers.
Their first album came in 2001, named ‘#1’, cleverly released on many labels, to be followed by ‘Odyssey’ which brought a more defined electro pop sound. The current offering ‘Sir’ is being produced by none other than Michael Stipe from REM. Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is still very much present in the 21st Century. However, a newish phenomenon of covering an entire album has appeared in more recent years
So as a follow-up to TEC’s 25 Classic Synth Covers’ listing, here is a selection taken from reinterpretations recorded from 2000 to the present day, restricted to one song per artist moniker and presented in chronological order. Continue Reading ›
The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists.
Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs.
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It was a year when the veterans re-established their standing within electronic pop. That was not to that comparatively newer acts weren’t making a good impression, it was just that a fair number of established acts gave their all and were producing some of their best work since their imperial heyday.
So restricted to purchasable releases only and one song per artist moniker, here are The Electricity Club’s 30 Songs Of 2017… Continue Reading ›
With GOLDFRAPP’s recent Birmingham show being cancelled due to illness, it was touch and go as to whether the band would be able to see the tour through to its conclusion.
There were no audible signs of any vocal difficulties and the absence of the operatic / falsetto ‘Utopia’ may have been the only indication of Alison’s earlier issues in the week. As the house lights dimmed, the strains of ‘Voicething’ from the ‘Head First’ album started to filter through the PA. Continue Reading ›