The claim that DEPECHE MODE are the flag bearers for electro-blues becomes somewhat redundant with ‘Into The Unknown’, the debut album from iEUROPEAN.
Coupled to Seán Barron’s Mittel Europa synths are Ruth Lalor’s soulful, bluesy vocals, schooled under the influence of Billie Holliday and Lena Horne. Thus this long player really is a musical journey ‘Into The Unknown’. Continue Reading ›
The captivating German songstress KATJA VON KASSEL finally brings out her first EP. This 4 track release is the first opportunity for potential audiences to evaluate KATJA VON KASSEL and her Electro Weimer Cabaret as a body of work in one sitting.
Singing in English, ‘Lili Marlene’ affirms her charismatic presence and singing in an alluring Marlene Dietrich tone with a sultry yet technostalgic quality. Continue Reading ›
Trevor Horn is a producer who can be said to have shaped modern pop music. In 1981, Horn started a run of producing and co-writing four singles for pop duo DOLLAR; this attracted the attention of NME journalist Paul Morley and they would later establish the ZTT label
Listing some of his more interesting adventures in modern recording, The Electricity Club chooses eighteen works from Trevor Horn that fit closest to its ethos. Continue Reading ›
Electro Weimar Cabaret is the easiest way to describe the music of KATJA VON KASSEL. She sings in both German and English, often within the same song in a sultry Marlene Dietrich tone.
After working within the UK music scene for several years, she was going to head back to Germany but luckily met producer and LADYHAWKE collaborator Alex Gray. He introduced her to the joys of electronic instrumentation. Continue Reading ›