Tag: Grimes (page 1 of 3)
NEW RO is a Helsinki-based singer, songwriter and producer with a cheeky sense of humour that she often vivaciously expresses via her social media.
With an approach that is melodic, rhythmic and vulnerable, NEW RO’s new body of work 'i o u' encapsulates a more dance-oriented direction, celebrating friendship and hedonism. “I wanted to emulate the feeling of hazy and euphoric nights in a great company” said NEW RO. Continue Reading ›
Like Sweden, as a country with a relatively small population in relation to land mass, Canada punches above its weight when it comes to its contribution to popular music. Like in the UK with the availability of affordability of technology from Japan in particular, Canadian youngsters were taking up synthesizers.
So here is The Electricity Club's list of 25 tracks from the circuit boards of Canada, subject to a limit of one per artist moniker, presented in yearly and then alphabetical order. Continue Reading ›
With her performance art ethos, Melbourne-based SUI ZHEN offers surreal observations on the intersections between human life and technology.
With echoes of Los Angeles songstress SINOSA, ‘Perfect Place’ is a delightfully odd but accessible trailer to SUI ZHEN’s brand new long playing offering 'Losing, Linda', the genesis of which began during an artistic residency in Japan and completed in Australia under the trauma of her mother's ill health and eventual passing. Continue Reading ›
From DEAD ASTRONAUTS, the lo-fi synth project of Jared Nickerson and Hayley Stewart, a new star is born. With the name transcending Toronto based Stewart’s fascination with Japanese culture, cyber space and the love of vintage synthesis, MECHA MAIKO releases her debut album ‘Mad But Soft’.
The Geisha-like robot brings a much needed freshness and romance into the world of electronica, and she’s doing it with grace, sensuality and poise. Continue Reading ›
ROSEMARY LOVES A BLACKBERRY is the multi-faceted Russian musician and artist Diana Burkot.
Part of the Anti-Ghost Moon Ray collective, Burkot’s debut album is entitled '❤', because in Burkot’s own words, it is “an image that cannot be spoken, at a time when visual aesthetics are the priority”. As if to reinforce this concept, the previously unveiled ‘Purr’ is shaped by a gentle conceptual slice of leftfield while its accompanying video challenges “Self-identification through social networks” ? Continue Reading ›