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Tag: Hannah Peel (page 1 of 7)

TEC’s 2017 End Of Year Review

The world found itself in a rather antagonistic and divisive state this year, as if none of the lessons from the 20th Century’s noted conflicts and stand-offs had been learnt. After a slow start to 2017, there was a bumper crop of new music from a number of established artists. Overall, it was artists of a more mature disposition who held their heads high and delivered, as some newer acts went out of their way to test the patience of audiences by drowning them in sleep while coming over like TRAVIS on VSTs. More Inside ›

The Electricity Club’s 30 SONGS OF 2017

It was a year when the veterans re-established their standing within electronic pop. That was not to that comparatively newer acts weren’t making a good impression, it was just that a fair number of established acts gave their all and were producing some of their best work since their imperial heyday. So restricted to purchasable releases only and one song per artist moniker, here are The Electricity Club’s 30 Songs Of 2017… More Inside ›

A Synth Is For Life & Not Just For Christmas…

Remember, a synth is for life and not just for Christmas...As the Yule Tide season gets into full swing, The Electricity Club presents a collection of modern seasonal tunes with a more artful slant... With a song to play on each of the Twelve Days of Christmas plus a bonus track for Christmas Eve, each has their own take on the holiday period, whether happy or sad or both. Whatever your plans for the holiday period, please remember, a synth is for life and not just for Christmas… may it bring you lots of cheer More Inside ›

CURXES Gilded Cage

CURXES’ second album ‘Gilded Cage’ offers plenty of enigmatic electronically derived oddness. CURXES first appeared in 2011 before releasing the ‘Precurxor’ EP in 2014 and an album ‘Verxes’ a year later. Those disappointed by ‘Verxes’ will savour the more hauntingly electronic ethos of ‘Gilded Cage’. It is more akin to another South Coast songstress GAZELLE TWIN than the DEPECHE MODE being eaten by SIOUXSIE & THE BANSHEES template that characterised their initial work. More Inside ›

HANNAH PEEL Mary Casio: Journey To Cassiopeia

If Gustav Holst had composed ‘The Planets Op32’ suite today, would he have used synthesizers within his framework? With his interest in astrology and thus the future, the answer is probably a “yes”. Just a year after her acclaimed second album 'Awake But Always Dreaming', HANNAH PEEL follows-up with a striking seven movement instrumental opus entitled 'Mary Casio: Journey To Cassiopeia', featuring an array of analogue synthesizers and a 29-piece colliery brass band. More Inside ›

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