Happy Robots Records and The Electricity Club are pleased to announce that ARTHUR & MARTHA will reunite for a one-off performance at TEC005 on SATURDAY 2ND MARCH at The Islington in London. Also joining the bill will be PLASMIC from Orange County California and RAINLAND from Glasgow.
ARTHUR & MARTHA’s blend of electronica was branded ‘cutie krautrock’ or ‘tweetronica’ – they used using toy and playground electronic gizmos, battered old synth and cheapo drum machines to create gentle, tinny yet poignant pulsebeats that propel their achingly pretty, minor-chord melodies. Continue Reading ›
Sitting on the sofa with my now thirteen year old daughter, who over the years has acquired a rather sarcastic sense of humour (who on Earth does she get that from?!) and pondering how to approach this task of reviewing ‘The Electricity Club’ compilation, makes us both burst out with hearty laughter.
After all, she wants to rise to the occasion properly, and review things "just like Mummy does". Children have the innate ability to always tell the truth... Continue Reading ›
Amour Records / Minos EMI / Universal Music in collaboration with Undo Records are to release a 2CD compilation compiled by The Electricity Club. Capturing its ethos to feature the best in new and classic electronic pop music, this compilation is the culmination of a period which has seen the resurgence of the genre.
Over the years, The Electricity Club appears to have reflected the interests of people who love the Synth Britannia era. Continue Reading ›
While their first album was released in 2010, it’s only been in the last three years that TINY MAGNETIC PETS have truly picked up audience momentum.
Undertaking their first headlining ‘Here Comes The Noise’ tour, also on board was Happy Robots label mate RODNEY CROMWELL and especially for the London date at Water Rats in Kings Cross, post-punk balladeers CULT WITH NO NAME. Continue Reading ›
Dublin trio TINY MAGNETIC PETS make their long awaited return but perhaps unexpectedly, they’re back with a cover of the track that launched the career of Glaswegian synth combo CHVRCHES.
In its original form, ‘Lies’ was like THE WATERBOYS’ ‘The Whole Of The Moon’ re-imagined by DEPECHE MODE but fronted by ROBYN. But what Paula Gilmer, Sean Quinn and Eugene Somers have done with their reinterpretation of ‘Lies’ is offer a dreamy psychedelic electro arrangement. Continue Reading ›