From Cherry Red Records, the makers of the ‘Close To The Noise Floor’ trilogy showcasing formative and experimental electronic music from the UK, Europe and North America, comes their most accessible electronic collection yet.
Subtitled ‘Independent British Synth Pop 78-84’, ‘Electrical Language’ is a boxed set covering the post-punk period when all that synthesizer experimentation and noise terrorism morphed into pop.
This was pop in a very loose manner with melodies, riffs and danceable rhythms. Largely eschewing the guitar and the drum kit, this was a fresh movement which sprung from a generation haunted by the spectre of the Cold War, Mutually Assured Destruction and the Winter of Discontent. Continue Reading ›
HARD CORPS were like a piece of a jigsaw that didn’t quite fit; utilising aesthetically entrancing KRAFTWERK-like electronic minimalism, produced by the legendary Martin Rushent and Daniel Miller, but restrained by a major label record contract that meant that they never fulfilled their true potential and only belatedly released one full length album.
Clive Pierce kindly spoke about his tenure in HARD CORPS with additional contributions from band members Hugh Ashton and Rob Doran. Continue Reading ›
Although he became a noted producer during the height of punk, it was with THE HUMAN LEAGUE’s ‘Dare’ that Martin Rushent’s reputation as an electronic music pioneer was forged.
Focussing primarily on his work with synthesizers and technology, The Electricity Club looks back at the post-punk career of Martin Rushent. With a limit of one track per album project and presented in chronological order, here is a Beginner’s Guide to the late, great man… Continue Reading ›