The quietly subversive I AM SNOW ANGEL launches her most ambitious body of work yet in her second full-length album ‘Mothership’.
‘Mothership’ offers a work which is rich and melodic but perhaps a shade darker than where I AM SNOW ANGEL has boldly gone before, reflecting some turbulent times in a volatile world. Julie Kathryn kindly talked to The Electricity Club about her ‘Mothership’ and where else she might be landing… Continue Reading ›
The ‘Mothership’ has landed and it is indeed I AM SNOW ANGEL’s most ambitious work yet.
The quietly subversive vehicle of Julie Kathryn, the Lake Placid native wrote, performed, programmed, produced and engineered the album herself in a woodland cabin retreat outside New York. ‘Mothership’ has a thematic core which is possibly darker than the dreamier I AM SNOW ANGEL material of the past. It has been described as an intersection of traditional spirituality, the paranormal and science fiction. Continue Reading ›
With her ‘Mothership’ about to land soon, Lake Placid’s I AM SNOW ANGEL has presented a new in-studio performance video of her current single ‘Honeybee’.
The vehicle of songstress and producer Julie Kathryn, her wonderful debut long player ‘Crocodile’ was a quietly subversive statement that crossed modern electronica with some Americana twang and even closed with a wispy drum ‘n’ bass cover of Bruce Springsteen’s ‘I’m On Fire’. Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is still very much present in the 21st Century. However, a newish phenomenon of covering an entire album has appeared in more recent years
So as a follow-up to TEC’s 25 Classic Synth Covers’ listing, here is a selection taken from reinterpretations recorded from 2000 to the present day, restricted to one song per artist moniker and presented in chronological order. Continue Reading ›
Stockholm based singer / songwriter Ester Ideskog, otherwise known as VANBOT, has undoubtedly produced the most striking album of her career following the comparatively conventional offerings of ‘Vanbot’ and ‘Perfect Storm’.
‘Siberia’ is the result of a 17 day journey on the Trans-Siberian railway, recorded by Ideskog with collaborators Johannes Berglund and Petter Winnberg while cooped up in a small carriage compartment. Continue Reading ›