EXIT NORTH are the brooding quartet who comprise of Thomas Feiner, Steve Jansen, Ulf Jansson and Charles Storm. The combo are about to release their magnificent debut album ‘Book of Romance and Dust’, a captivating collection of nine songs seeded in Gothenburg and swathed in a variety of wintery instrumental colours.
Steve Jansen kindly chatted to The Electricity Club about the genesis and realisation of EXIT NORTH. Continue Reading ›
Although their recorded output covered just five albums over a four year period, JAPAN are one of the most acclaimed bands from the era which many came to know as New Romantic.
JAPAN’s final two studio albums ‘Gentlemen Take Polaroids’ and ‘Tin Drum’ are being reissued as Abbey Road Half-Speed mastered 2LP gatefold vinyl editions with two tracks per side. Along with the pair’s predecessor 'Quiet Life', they formed the Holy Trinity of JAPAN records. Continue Reading ›
Steve Jansen has been very busy of late over the last 12 months with projects involving both music and photography. In 2015, the one-time drummer of JAPAN published ‘Through A Quiet Window’, a book of his photos taken between 1978-1991.
He kindly chatted to The Electricity Club about the genesis of his new album ‘Corridor’ and ‘Through A Quiet Window’ while also shedding light on the perception of JAPAN as a band at the height of their artistic success. Continue Reading ›
There are many bands from the Synth Britannia-era that are often perceived as being electronic, when in fact they either started off in a traditional band format and integrated synthesizers/sequencers or remained like that throughout most of their career.
ULTRAVOX, NEW ORDER and GARY NUMAN all fell into that format, but what about others who have successfully managed to meld the rigidity and coldness of electronics with the more human element of guitars. Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is an important creative opportunity that can widen a musical audience and expand the aural palette.
SOFT CELL’s cover of 'Tainted Love' became ubiquitous as Synth Britannia’s first true crossover record. So what of the other great synth reworkings? The covers in this listing are predominantly conventional songs reworked in a synthpop manner. They are presented in chronological order. Continue Reading ›