One of Sweden’s biggest exports and otherwise a much underrated Synth Princess, KARIN PARK returns with ‘Blue Roses’.
Her last long player ‘Apocalypse Pop’ showed a further growth in what can only be described as a neoclassical amalgamation of synth and then Park took to the stage, performing in the Norwegian version of ‘Les Miserables’, playing the role of Fantine. 'Blue Roses' continues the trends set on ‘Apocalypse Pop’, with the eponymous single creeping from a melancholic affair. Continue Reading ›
Like Germany and the UK, Sweden has an established history in electronic music. With a melodic tradition rooted in traditional Nordic folk music and the region’s long dark nights causing bouts of melancholy, the Swedes are more than well suited to stay indoors and further the art of synthpop.
So what’s so special about Sweden then? Listed chronologically from its UK perspective with a restriction of one song per moniker, here are The Electricity Club’s 25 SVENSKA SYNTH SONGS… Continue Reading ›
In a far more productive year than 2014, many electronic music veterans returned to the fold in 2015 with their first new albums for many years.
There were plenty of releases from independent acts too, with Nordic Europe being a particularly strong territory once again. With a restriction of one song per artist moniker, here are The Electricity Club’s 30 SONGS OF 2015… Continue Reading ›
The best sort of electronic music events are those curated by electronic music enthusiasts, people who actually enthuse about the genre, recognise its history and expel a passion to see it continue as a defined artform.
With VNV NATION, SOLAR FAKE, MARSHEAUX, KARIN PARK and PYSCHE featuring in the Electronic Summer 2015 line-up, a sell-out crowd at the Brewhouse Arena was eagerly anticipating a great weekend of music and culture. Continue Reading ›
Let’s face it, 2012’s ‘Highwire Poetry’ was always going to be a pretty damn hard act to follow, arguably one of the best electronic pop albums from the last five years.
This brings us to Park’s fifth album and second for Portsmouth-based label State of the Eye: ‘Apocalypse Pop’. The temptation would have probably been to stick with the format that worked so well on album four, but Park’s new set of songs has a distinctly different sound and vibe to them. Continue Reading ›