To narrow down ten years of electronic pop to 30 songs was always going to be a challenging task, but The Electricity Club has given it a go to offer its own subjective twist.
As per usual, The Electricity Club’s lists are all about rules. So this one has not only been restricted to one song per artist moniker but also to one vocalist. Presented in alphabetical order, here are The Electricity Club’s 30 SONGS OF THE DECADE 2010-2019… Continue Reading ›
Celebrating their 40th Anniversary, OMD are one of the acts from the Synth Britannia era whose creative powers now are as strong as their chart heyday.
By way of a Beginner’s Guide to showcase the diverse facets of OMD, The Electricity Club has selected 26 tracks of interest, largely eschewing those made famous by singular consumption. With a restriction of one track per album project, they highlight how they have maintained their standing as a creative and cultural force. Continue Reading ›
‘Men In A Frame’ is the new conceptual long player by Belgian duo METROLAND, celebrating the art form of photography. Perhaps slightly confusingly, it does not contain ‘Man In A Frame’, their previous single release from earlier in 2018.
Passenger S and Passenger A joined forces with an art co-operative called F-8 whereby each photographer carefully relinquished two unique pictures with enigmatic and occasionally cryptic titles for METROLAND to add electronic soundtracks Continue Reading ›
RHEINGOLD were part of Die Neue Deutsche Welle movement. Between 1980 to 1984, RHEINGOLD released three albums ‘Rheingold’, ‘R’ and ‘Distanz’, all working with the legendary Conny Plank.
RHEINGOLD are certainly one of the most under rated acts from the German New Wave, but this year’s excellent new album ‘Im Laut Der Zeit’ was a fine return after an absence of original material for many years. Bodo Staiger kindly took time out to talk about the career of RHEINGOLD. Continue Reading ›
‘The Punishment Of Luxury’ is OMD’s thirteenth long player and could be considered a natural progression from ‘English Electric’. The album takes its name from an 1891 painting by Giovanni Segantini.
It begins with the title track and a mighty electro rhythm section enhanced by a bright infectious melody, robot harmonies and chants. Reflecting on the dilemma of first world problems, it’s a fabulous opener that captures elements of KRAFTWERK, THE ART OF NOISE and THE PRODIGY. Continue Reading ›