‘The Punishment Of Luxury’ is OMD’s thirteenth long player and could be considered a natural progression from ‘English Electric’. The album takes its name from an 1891 painting by Giovanni Segantini.
It begins with the title track and a mighty electro rhythm section enhanced by a bright infectious melody, robot harmonies and chants. Reflecting on the dilemma of first world problems, it’s a fabulous opener that captures elements of KRAFTWERK, THE ART OF NOISE and THE PRODIGY. More Inside ›
First published in German during the Spring of 2015, Rudi Esch’s ‘ELECTRI_CITY – Elektronische Musik Aus Düsseldorf’ gave a fascinating insider’s account of the Germany’s influential post-war music scene which was centred around the city of Düsseldorf.
The original book has now spawned an English language edition ‘ELECTRI_CITY - The Düsseldorf School of Electronic Music’, two compilation albums and an annual music conference, the third of which will take place on FRIDAY 27TH and SATURDAY 28TH OCTOBER 2017. Among those performing live will be ANNE CLARK and ROBERT GÖRL, while JONATHAN BARNBROOK will be giving a talk entitled ‘Designing Bowie’. More Inside ›
With the first two songs previewed from their new album ‘The Punishment Of Luxury’, could it be possible but OMD are even more electronic than ever before?
‘The Punishment Of Luxury’ is OMD’s thirteenth long player and they continue their retro-futurist themes with ‘Isotype’, inspired by the International System of Typographic Picture Education developed in 1935. Meanwhile, the recently unveiled album title song is a classic OMD number with Germany calling. More Inside ›
While acts like THE ART OF NOISE and DEPECHE MODE pioneered the use of sampling found sounds to use as new virtual instrumentation, eventual improvements in the technology meant whole recognisable phrases could be cut, manipulated and looped to create new compositions and arrangements.
So The Electricity Club has put aside some of its snobbery to seek out 25 of the most inventive, and some would say, sacrilegious uses of classic synth samples in popular music. More Inside ›
After the ticketing debacle of the London Tate Modern Turbine Hall shows in 2013, the announcement of what is a pretty extensive tour for KRAFTWERK has now at least given fans of Die Mensch Machine a fighting chance to actually see them live.
The Electricity Club was present at the middle of a trio of Royal Albert Hall dates and after some pretty stringent security / ticketing checks, the team were able to take to their seats with a pair of 3D glasses waiting. More Inside ›