California based KANGA creates an unforgettable symbiosis of hard and ethereal, wrapped in electronic soundscapes of Los Angeles. She likes mixing pop into her darker electro roots, not because pop sells but because the good hooks make a good song.
Her 2016 self-titled album, featuring guitarist Matthew Setzer and mixed by Rhys Fulber, created a buzz that continues to fuel the energy pushing the Santa Ana artist out into the open with her new mini album ‘Eternal Daughter’. Continue Reading ›
RELIEF is the project by Swedish instrumentalist Staffan Ericson who has most recently been a member of the mysteriously named LANDMARK 4:11.
While that project features vocals, RELIEF is retro-futuristic instrumental synthpop that uses samples from 50s commercials and Sci-Fi movies. ‘Futureproof’ falls into the current vogue for instrumental electronica. But this is no Synthwave album, as it is far too dynamic, catchy and melodic to fall into that category. Continue Reading ›
As it’s been seven years since the group’s last offering of ‘Gravity The Seducer’, which presented atmospheric textures and sedate longing melodies, it was difficult to “predict the day” of LADYTRON’s comeback, but not creating another album “was never a possibility” according to Danny Hunt
Now comes the long awaited ‘Ladytron’; suggesting quintessential LADYTRON as per the eponymous title, the long player was introduced by ‘The Animals’. Continue Reading ›
While often, it’s the single version made for mass consumption through radio play that remains superior and best loved, there are occasions when the album take reigns supreme.
So as a companion list to the earlier 25 Single Versions That Are Better Than The Album Versions listings feature and restricted to one track per artist, here are The Electricity Club’s 25 Album Versions That Are Better Than The Single Versions presented in chronological and then alphabetical order… Continue Reading ›
The follow-up to 2016's ‘Of Desire’, ‘Only Now Forever’ develops on the brooding post-punk sound of THE KVB.
Getting together in 2011, the British audio-visual duo of multi-instrumentalist Nicholas Wood and keyboardist Kat Day actually relocated to write and record in Berlin, adding a more independently-minded edge to their reverb coated sound in the process. If NEW ORDER has been weaned on shoegaze, they might have sounded like THE KVB. Continue Reading ›