With her quirky electronically driven avant disco, Los Angeles based SINOSA has charmed audiences with her debut single ‘If U Must Dance’.
Knowingly oddball with a delightful vocal nonchalance, the former member of FOL CHEN cites influences such as LAURIE ANDERSON and BROADCAST. Indeed, with a glitchy ambience amongst the beats, ‘If U Must Dance’ is what LITTLE BOOTS could have been had she put her mind to it. Continue Reading ›
Named after a wonderfully eclectic song from the first ROXY MUSIC album, appropriately it was Brian Eno who said that LADYTRON were “the best of English pop music”.
Despite Eno’s description, one of the most distinctive aspects of LADYTRON is their diversity.
With all systems go in the LADYTRON camp, Danny Hunt kindly took time out from the studio to chat to The Electricity Club about the new album, his favourite synths and his own career highlights. Continue Reading ›
“The medium of reinterpretation” as HEAVEN 17 and BEF’s Martyn Ware once put it, is still very much present in the 21st Century. However, a newish phenomenon of covering an entire album has appeared in more recent years
So as a follow-up to TEC’s 25 Classic Synth Covers’ listing, here is a selection taken from reinterpretations recorded from 2000 to the present day, restricted to one song per artist moniker and presented in chronological order. Continue Reading ›
Sheffield is known as The Steel City and from it have emerged a number of innovative acts such as CABARET VOLTAIRE, THE HUMAN LEAGUE, VICE VERSA, HEAVEN 17, PULP and I MONSTER.
One young duo hoping to join that roll of honour are PROMENADE CINÉMA. Comprising of Emma Barson and Dorian Cramm, they define their busy, multi-layered electronic sound as “Cinedramatic Synthpop”. The pair have issued their most accomplished song yet in ‘Spotlight’. Continue Reading ›
ROSEMARY LOVES A BLACKBERRY is the multi-faceted Russian musician and artist Diana Burkot.
Part of the Anti-Ghost Moon Ray collective, Burkot’s debut album is entitled '❤', because in Burkot’s own words, it is “an image that cannot be spoken, at a time when visual aesthetics are the priority”. As if to reinforce this concept, the previously unveiled ‘Purr’ is shaped by a gentle conceptual slice of leftfield while its accompanying video challenges “Self-identification through social networks” ? Continue Reading ›